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Dror Burstein

    Dror Burstein crée une littérature qui explore en profondeur la psyché humaine et les complexités sociales, marquée par une voix distinctive à la fois poétique et incisive. Son écriture aborde des thèmes profonds tels que l'identité, la mémoire et la quête de sens, trouvant un écho chez les lecteurs grâce à sa représentation nuancée des mondes intérieur et extérieur. En tant que critique, Burstein offre des observations perspicaces sur l'art et la littérature contemporains, consolidant ainsi sa contribution significative au paysage culturel.

    The Sound of One Hand
    MUCK
    • MUCK

      • 416pages
      • 15 heures de lecture
      3,8(51)Évaluer

      In a Jerusalem both ancient and modern, where the First Temple squats over the populace like a Trump casino, where the streets are literally crawling with prophets and heathen helicopters buzz over Old Testament sovereigns, two young poets are about to have their lives turned upside down. Struggling Jeremiah is worried that he might be wasting his time trying to be a writer; the great critic Broch just beat him over the head with his own computer keyboard. Mattaniah, on the other hand, is a real up-and-comer--but he has a secret he wouldn't want anyone in the literary world to know: his late father was king of Judah. Jeremiah begins to despair, and in that despair has a vision: that Jerusalem is doomed, and that Mattaniah will not only be forced to ascend to the throne but will thereafter witness his people slaughtered and exiled. But what does it mean to tell a friend and rival that his future is bleak? What sort of grudges and biases turn true vision into false prophecy? Can the very act of speaking a prediction aloud make it come true? And, if so, does that make you a seer, or just a schmuck? -- Provided by publisher.

      MUCK
    • The Sound of One Hand

      • 285pages
      • 10 heures de lecture
      3,7(35)Évaluer

      "When The Sound of One Hand Clapping came out in Japan in 1916 it caused a scandal. Zen was a secretive practice, its wisdom relayed from master to novice in strictest privacy. That a handbook existed recording not only the riddling koans that are central to Zen teaching but also detailing the answers to them seemed to mark Zen as rote, not revelatory. For all that, The Sound of One Hand Clapping opens the door to Zen like no other book. Including koans that go back to the master who first brought the koanteaching method from Japan to China in the eighteenth century, this book offers, in the words of the translator, editor, and Zen initiate Yoel Hoffmann, "the clearest, most detailed, and most correct picture of Zen" that can be found. What we have here is an extraordinary introduction to Zen thought as lived thought, a treasury of problems, paradoxes, and performance that will appeal to artists, writers, and philosophers as well as Buddhists and students of religion"--

      The Sound of One Hand