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Anton H. Tammsaare

    A.H. Tammsaare est une figure centrale de la littérature estonienne, réputé pour sa monumentale pentalogie Vérité et Justice. Profondément influencées par les classiques russes, ses œuvres explorent des thèmes profonds façonnés par ses luttes personnelles et son vaste auto-apprentissage de plusieurs langues. La voix littéraire distincte de Tammsaare occupe une position centrale dans l'évolution du roman estonien, le consacrant comme un auteur de stature européenne significative.

    I Loved a German
    The Misadventures of the New Satan
    Vargamae
    • This monumental work by Estonia's greatest writer is a European classic which has for too long been neglected in the English-speaking world. It tells the story of how Tsarist Estonia developed into the First Republic through the experiences of a family.

      Vargamae
    • The Misadventures of the New Satan

      • 256pages
      • 9 heures de lecture
      3,9(26)Évaluer

      This is the last novel by Estonia's greatest twentieth-century writer, Anton Tammsaare, and it constitutes a fitting summation of the themes that occupied him throughout his writing: the search for truth and social justice, and the struggle against corruption and greed.

      The Misadventures of the New Satan
    • I Loved a German

      • 226pages
      • 8 heures de lecture
      3,6(38)Évaluer

      A gripping love story, in which the classic love triangle takes a very untraditional form. The plot is centered on an Estonian university student who falls in love with a young Baltic German woman. The Baltic Germans had lost their aristocratic position since Estonia declared its independence. The young German earns her keep as a tutor for an Estonian family, and is not well-off. The young man, Oskar, starts courting the girl frivolously, but then falls head-over-heels for her. Before long, the prejudice that an Estonian and a Baltic German are of unequal standing stalks the couple. When Oskar goes to ask Erika's grandfather - a former manor lord - for the girl's hand, the meeting leaves a deep impression on him. Oskar finds himself wondering if he doesn't love the woman in Erika, but rather her grandfather; meaning, her noble descent. Does love depend solely upon the emotions of two young individuals, or are their origins, their social and cultural background actually the deciding factor?

      I Loved a German