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Masatsugu Ono

    Masatsugu Ono, professeur et chercheur en littérature francophone, maintient une production constante de fiction qui explore en profondeur la psyché humaine et les relations complexes. Ses récits abordent souvent des thèmes tels que l'identité, la mémoire et la quête de sens dans le monde contemporain. La prose d'Ono se caractérise par sa qualité poétique, associée à une acuité analytique tranchante, offrant aux lecteurs une expérience littéraire riche et stimulante.

    At the Edge of the Wood
    Echo on the Bay
    Lion Cross Point
    • Lion Cross Point

      • 124pages
      • 5 heures de lecture
      3,8(20)Évaluer

      By the winner of the Akutagawa Prize, Japan's most prestigious literary awardHow does a shy, traumatized boy overcome the shame, anger, and sadness that silence him? In Lion Cross Point , celebrated Japanese author Masatsugu Ono turns his gentle pen to the mind of ten-year-old Takeru, who arrives at his family’s home village amid a scorching summer, carrying memories of unspeakable acts against his mother and brother. As Takeru befriends Mitsuko, his new caretaker, and Saki, his spunky neighbor, he meets more of his mother’s old friends, discovering her history and inching toward a new idea of family and home. All the while he begins to see a strange figure called Bunji—the same name as a delicate young boy who mysteriously vanished long ago on the village’s breathtaking coastline at Lion Cross Point. At once a subtle portrayal of a child’s sense of memory and community, an empowering exploration of how we find the words to encompass our trauma, and a spooky Japanese ghost story, Lion Cross Point is gripping and poignant, reminiscent of Kenzaburō Ōe’s best work. Acts of heartless brutality mix with surprising moments of pure kindness, creating this utterly truthful, cathartic tale of an unforgettable young boy.

      Lion Cross Point
    • Echo on the Bay

      • 160pages
      • 6 heures de lecture
      3,5(198)Évaluer

      "Tells the story of a small fishing village in Japan-with the untreated wounds of the town's history in the foreground"--

      Echo on the Bay
    • When his wife returns to her parents house to have their second child, an unnamed narrator and his son are left to manage by themselves. Instead of absence, what the father and son begin to notice is a strange noise opening up between them, reverberating through their home, their television set, and the books they read at night. The wood outside their home hums with it, too: leaves fall from branches which are already naked, trees wriggle when walked past, and the hills on the horizon rise and fall in a building rhythm. Ono's stories teeter on the edge of something unsayable, exploring repetition and contradiction to sketch compelling, otherworldly characters. The strange sound which hums through the twinned narratives is distilled in Carpenter's translation, which masterfully employs the rhythms and echoes of the English language to convey Ono's sense that something is coughing, laughing, turning under the words on the page.

      At the Edge of the Wood