Edgar Allan Poe and The Empire of the Dead
- 368pages
- 13 heures de lecture
'And I prayed that I would find a way to tell my most honorable friend, the Chevalier C. Auguste Dupin, the truth about how I had finally been murdered, and by whom.'
L'écriture de Karen Lee Street est empreinte d'une touche gothique, issue de ses premières années passées dans une vieille ferme grinçante. Ses mystères historiques, acclamés par la critique, mettent en scène les emblématiques Edgar Allan Poe et C. Auguste Dupin alors qu'ils démêlent des crimes déconcertants du passé. Street mêle avec brio atmosphère et suspense, entraînant les lecteurs dans des intrigues complexes qui explorent des énigmes durables et des décors historiques avec une touche stylistique unique.




'And I prayed that I would find a way to tell my most honorable friend, the Chevalier C. Auguste Dupin, the truth about how I had finally been murdered, and by whom.'
The narrative follows Edgar Allan Poe and his fictional detective C. Auguste Dupin as they delve into a complex mystery filled with themes of rivalry, lost love, and the mystical art of ornithomancy. Their investigation centers around a legendary jewel from Peru, intertwining elements of suspense and intrigue as they confront old adversaries.
What if the great detective C. Auguste Dupin was not Edgar Allan Poe's fictional creation, but his friend?
Aimed at screenwriters, producers, development executives and educators interested in the crime genre, this book provides an invaluable basis for crafting a film story that considers both audience and market expectations without compromising originality. A brief historical overview of the crime genre is presented for context, along with an analysis of various crime sub-genres and their key conventions, including: police, detective, film noir, gangster, heist, prison and serial killer. Street focuses on the creative use of these conventions and offers strategies for focus.