Susan Hahn Livres

Losing Beck is the story of Jennie Silver, who is trying to get over a man who was greatly influenced by the renowned Hungarian emigré novelist Avigdor Element. Spanning a hundred years of history from when Nijinsky danced "The Afternoon of the Faun" in Paris in 1912, through World Wars I and II, to very close to the present, Jennie keeps a diary, writes a play and a novella in her attempt to control her desperate, high-pitched emotions focused on a man she is uncontrollably drawn to and at the same time finds repugnant. A man who is one of the keepers and part of the legacy of Element's bad behavior.

Exploring the profound grief of losing a parent, this collection of poems delves into the complexities of mourning with raw intensity. Each poem, distinct in form, contributes to an overarching emotional journey that feels like a singular, extended expression of loss. Susan Hahn masterfully balances the wild urgency of her emotions with polished language, creating a poignant beauty that thrives amidst sorrow. The work captures the paradox of life blooming in the face of death, making it a compelling and essential reflection on love and loss.

The poems explore themes of terror and obsession, crafted with a palpable intensity that captivates the reader. Hahn's work balances revelation with omission, creating a disquieting effect that unsettles our perceptions. The collection delves into the complexities of fascination and the desperation of clinging to what we hold dear, drawing readers into a profound emotional experience.

Interlinked poems explore the powerful symbolism of the ibis, beginning with its role in a magician's illusion and transitioning to the profound theme of death, the ultimate disappearance. The collection delves into the interplay between illusion and reality, examining how the ibis serves as a poignant reminder of mortality and the inevitability of loss, offering a reflective journey through the complexities of existence.

The collection features poems that explore the tension between the unfinished self and the desire for resolution, using calendar markers as a backdrop. With a blend of irony and intelligence, the poems reflect on personal experiences as well as mythic, biblical, and historical events, capturing both celebration and lamentation.

Exploring the fundamental challenges of the human experience, this poetry collection delves into themes of spiritual heritage, the search for relief, and the quest for meaningful existence. Each poem invites readers to reflect on their own struggles and the enduring questions of life, offering insights into resilience and the human spirit.

Exploring themes of birth, the body, and the soul, this collection weaves together history, myth, folk rhymes, and human psychology. Susan Hahn embarks on a relentless journey through time, delving into the complexities of the self and the present's myriad stimuli and despairs. The poems create a delicate interplay of contrast and collision, offering a profound reflection on the human experience.

Founded in 1964 at Northwestern University, TriQuarterly has become a significant literary magazine, renowned for its quality and influence. Under the guidance of poet Susan Firestone Hahn, it showcases exceptional poetry and fiction from both established and emerging writers, maintaining its reputation as a vital platform in the literary community.

TriQuarterly, a prominent literary magazine since 1964, showcases a rich collection of works under the guidance of editor Susan Firestone Hahn. The latest issue, TQ 113, includes fiction from notable authors such as Richard Burgin and Stephen Dixon, alongside poetry from acclaimed poets like Stuart Dybek and Carol Frost. Additionally, it features an insightful essay on eco-fiction by Donna Seaman, highlighting the magazine's commitment to both established and emerging voices in literature.

The double millennial issue of TriQuarterly showcases a diverse array of fiction and poetry from renowned authors such as Joyce Carol Oates, John Barth, and Stuart Dybek. It includes insightful essays on literary figures like D. H. Lawrence and Henry James, as well as a unique article about Tolstoy's correspondence with American preachers. Additionally, the issue features interviews with playwrights and a commissioned cover painting by Mark Strand, highlighting the magazine's commitment to both established and emerging voices in literature and theater.