Naja M. Aidt Livres

In March 2015, Naja Marie Aidt's son Carl died at twenty-five years old in a tragic accident. When Death Takes Something from You, Give It Back describes the first year after that devastating phone call, until the shock slowly wears off. It is at once a sober account of life after losing a child--showing how grief transforms your relationship to reality, your loved ones, and time--and a book about the language of poetry, loss, and love. How do you approach the impossible to write about your deceased child? The book's complex form enacts the rupture and process of assembling the pieces. There are short prose sections addressed to Carl and intense lyric passages. There are fragments from the present that merge with flashbacks and journal entries from the past. Quotes appear throughout from an array of literary voices, woven together with Naja Marie Aidt's own voice. This multifarious book defies genre or any singular description

"Eighteen international writers respond to the open-ended period of social distancing, closures, and illness caused by Covid-19. Compiled during the initial lockdown in Europe, this special collection is a meteoric publishing project with contributions from some of the most exciting and innovative authors working today. Meditating on notions of distance and closeness, sameness and alterity, extinguishing and kindling, Tools for Extinction considers how a common pause might give rise to new modes of domesticity and shift experiences of time. What gestures and actions are we willing to perform to make ourselves, and each other, feel at ease - or at work? What tools and objects are useful, or unprecedentedly useless, to us in the process? And as our species' trademark proclivity for projecting ourselves into the future is disrupted, might we come to see the buildings, animals, plants, and foodstuffs around us in a new light? The anthology takes its name from Steven Brand's Whole Earth Catalog, a 1960s counterculture compendium of product reviews, essays, and articles on the themes of self-sufficiency, ecology, and alternative education. By giving "access to tools", a new social order and a more sustainable Earth was imagined."--Publisher's description

Beginning in the middle of crisis, then accelerating through plots that grow stranger by the page, Naja Marie Aidt's stories have a feel all their own. Though they are built around the common themes of sex, love, desire, and gender, Aidt pushes them into her own desperate, frantic realm. In one, a whore shows up unannounced at a man's apartment, roosts in his living room, and then violently threatens him when he tries to make her leave. In another, a wife takes her husband to a city where it is women, not men, who are the dominant sex-but was it all a hallucination when she finds herself tied to a board and dragged back to his car? And in the unforgettable "Blackcurrant," two young women who have turned away from men and toward lesbianism abscond to a farm, where they discover that their neighbor's son is experimenting with his own kind of sexuality. The first book from the widely lauded Aidt to reach the English language, Baboon delivers audacious writing that careens toward bizarre, yet utterly truthful, realizations.

Rock, Paper, Scissors opens shortly after the death of Thomas and Jenny's criminal father. While trying to fix a toaster that he left behind, Thomas discovers a secret, setting into motion a series of events leading to the dissolution of his life and plunging him into a dark, shadowy underworld of violence and betrayal. A gripping story written with a poet's sensibility and attention to language, Rock, Paper, Scissors will greatly expand the readership for one of Denmark's most decorated and beloved writers.