Eva Masnerová Ordre des livres (chronologique)

Labeled deaf, retarded, disturbed and insane, Donna Williams lived in a world of her own. Alternating between rigid hostility and extroversion, she waged what she termed her "war against the world." She existed in a dreamlike state, parroting the voices of those around her in the hope that they would leave her alone. Few people understood her, least of all Donna helself. It was not until the age of twenty-five that Donna discovered the word- autism- that would at last give her the opportunity to understand herself and begin to build a bridge to join the world as most know it. "Nobody Nowhere, Donna Williams' extraordinary autobiography, is her heroic attempt to come to terms with autism. This eloquent memoir reveals a fierce intelligence, great creativity and much humour. It will shatter many myths and misconceptions. The poetic sensibility and extraordinary insights of "Nobody Nowhere make it inspiring reading for everyone. "From the Trade Paperback edition.

Hlavními protihráči románu jsou zámožný podnikatel, úspěšná, ambiciózní mladá žena, se kterou se nově oženil, a jeho bývalá odstrčená manželka, nečekaně mládnoucí po boku nového milence.

Martin Eden , le chef-d'œuvre de Jack London passe pour son autobiographie romancée. Il s'en est défendu, disant que Martin n'était pas socialiste mais individualiste et que son histoire avait été écrite en protestation contre la philosophie de Nietzsche. Il y a plus d'une ressemblance entre l'auteur et le héros : ouvrier devenu romancier célèbre, invité dans les salons, amoureux d'une riche jeune fille qui ne le comprend pas, ex-prolétaire ne se reconnaissant pas dans le prolétariat et qui n'aura jamais sa place chez les bourgeois. Ressemblance poursuivie jusque dans leur échec et dans leur fin prématurée. Imitant Martin Eden , Jack London s'est suicidé en 1916.

Ronald Thompson knows he is not guilty of the murder for which he is about to be executed. There are only two days left to unmask the real villain - a terrifying psychopath who has killed before and has unfinished business with his victim's family.

Quelque part en Italie, à la fin de la Seconde Guerre mondiale, dans une villa transformée en hôpital militaire, Hana, une jeune infirmière, veille sur son unique patient : un aviateur anglais atrocement brûlé lors d'un accident dans le Sahara.

Ve své knize se doktor Pollar zabývá otázkami kolem eutanazie: ekonomickou stránkou zdravotní péče, úrovní léčebné péče o umírající, jak se vyrovnat s problémem po právní stránce, průzkumy veřejného mínění, otázkou defektních novorozenců. Seznamuje se situací v Holandsku, kde byla eutanazie uzákoněna a zamýšlí se nad tím, kdo by měl eutanazii provádět. Boří mýty kolem eutanazie a vyvrací některé běžné názory. Zdůrazňuje potřebu věnovat se v první řadě tomu, abychom odstranili utrpení samo, a ne člověka, který trpí.

Robert Ross, a sensitive nineteen-year-old Canadian officer, goes to war - the War to End All Wars. He finds himself in the nightmare world of trench warfare; of mud and smoke, of chlorine gas and rotting corpses. In this world gone mad, Ross performs a last desperate act to declare his commitment to life in the midst of death. The Wars is quite simply one of the best novels ever written about the First World War.

A savagely satirical tale of marital revenge. Madeleine wants revenge: Madeleine wants to be remembered: Madeleine wants love. Who doesn't? Madeleine is ex-wife of and chief persecutor to Jarvis, the architect. Why not? She hates him. Hilary is their daughter, growing fatter and lumpier every day under Madeleine's triumphant care, witness to the wrongs her mother suffered. For Jarvis has a clean new life with a clean new wife, Lily, and a nice new baby, Jonathan. The furniture is polished and there is orange juice for breakfast. Jarvis is content, or thinks he is, fending off Madeleine's forays as best he can. Jarvis has a part-time secretary, too, Margot, now the doctor's wife, unremembered from the days of her youth. Margot, unacknowledged wife and mother, accepting, tending, nurturing his children and her own, complaisant in her lot. Until Madeleine, hurling out her dark reproaches from the other side of violent death, uncovers new familial links in the disruption she creates.