Peter Filichia est un critique de théâtre distingué dont les analyses paraissent dans des médias de premier plan. Il met à profit son expertise et sa passion pour la scène dans des chroniques régulières et dans son livre consacré à la production de comédies musicales. Son travail reflète une profonde compréhension de la forme d'art théâtrale et de sa production.
Focusing on the evolution of Broadway musicals from 1960 to 2010, this book explores the most influential shows and artists that shaped the genre. It highlights key productions, iconic performances, and the cultural impact of musicals during this period. Through engaging anecdotes and critical analysis, readers gain insight into the creative processes and the societal changes reflected in the evolving landscape of Broadway. The book serves as a comprehensive tribute to the artistry and innovation that defined this vibrant era in musical theater.
When Evita opened on Broadway during the 1979-1980 season, it was (as one of its songs said) “High Flying Adored.” But in the 1970-71 season, the producers of Lolita, My Love saw their show (as one of its songs said) “Going, Gone, Gone” after its torturous Philadelphia and Boston tryouts. It didn't even try to brave Broadway, although the bookwriter-lyricist of My Fair Lady had written it.It happens every season. Broadway has one, two, or a few hit musicals, but many, many more flops. Here's a look at the extreme cases from each season of the past half-century. The musicals that everyone knew would be hits – The Sound of Music , The Phantom of the Opera , The Producers – and were. The tuners that sounded terrible from the moment they were announced – Via Galactica , The Civil War , Lestat – and turned out to be even worse than anyone expected. The shows that were destined to succeed – Breakfast at Tiffany's , 1600 Pennsylvania Avenue , Merrily We Roll Along , – but didn't. The ones that didn't have a chance – Man of La Mancha , 1776 , Grease – but went on to household-name status.Yes, Broadway is the oldest established permanent non-floating crap game in New York, and Peter Filichia takes a look at 100 shows that met either the most glorious or the most ignominious fates.
The book offers challenging brainteasers that delve deep into Broadway knowledge, pushing even the most experienced theater enthusiasts to seek out answers. It promises to test the limits of their familiarity with the intricacies of Broadway, making it a stimulating experience for fans of musical theater.
