John Sallis Livres

En appliquant a des textes essentiels de l'idealisme allemand les outils de la deconstruction, John Sallis revele le role essentiel, mais refoule, de l'imagination dans les efforts meme les plus ambitieux pour representer la raison pure. Sallis s'attache a certaines operations d' espacement en metaphysique - les ecarts et sauts textuels par lesquels la raison est deplacee, suspendue ou entravee. Comme il s'agit de textes se proposant d'etablir la priorite de la raison, de telles operations ne peuvent apparaitre que deguisees et Sallis revele le jeu de l'imagination et de la metaphore qui les masquent. S'attachant a ce qu'on a pu appeler la cloture de la metaphysique, il examine des textes ou la suppression de l'espacement est mise en oeuvre de la maniere la plus rigoureuse, pour faire place au pur espace de la verite.

What is the effect of light as it measures the seasons? How does light leave different traces on the terrain - on a Pacific Island, in the Aegean Sea, high in the Alps, or in the forest? This book considers the expansiveness of nature and the range of human vision in essays about the effect of light and luminosity on place.

Exploring the intricate relationship between imagination and reason, this study delves into Kant's Transcendental Dialectic in "Critique of Pure Reason." Sallis argues that imagination plays a crucial role in realizing metaphysical ideas such as the soul, the world, and God, which reason alone cannot achieve. The second edition includes a new preface that connects the work to Sallis's later writings and an extensive afterword that examines Kant's philosophical ties to ancient Greek thought, enriching the reader's understanding of these foundational concepts.

By exploring the philosophical writings of Kant, Hegel, and Heidegger, the book presents a fresh perspective on the relationship between art and philosophy. Sallis delves into their texts, uncovering new insights while highlighting their limitations. He connects these philosophical ideas to various art forms, including paintings by Raphael, Monet, and Klee, as well as Shakespeare's comedies and music by Beethoven, Schubert, Mahler, and Tan Dun. This comprehensive approach culminates in a compelling rethinking of the philosophy of art.

Drawing on Jakobson, Gadamer, Benjamin, and Derrida, Sallis shows how the classical concept of translation has undergone mutation and deconstruction.

Exploring the concept of "beyond being" and the term chora, this work delves into the overlooked aspects of Platonism and their relevance to modern philosophical discourse. It emphasizes the implications of these archaic moments on contemporary topics like spatiality, utopian politics, and the interplay between philosophy and tragedy. The author engages with notable philosophers such as Nietzsche and Heidegger, examining how their ideas interact with Platonic legacies and how a renewed understanding of Platonism can enhance current philosophical debates.

Featuring forty illustrations, this book enriches the reader's understanding of the world and highlights the importance of connection. Each visual element is designed to deepen the exploration of themes related to perception and awareness, inviting readers to engage more fully with their surroundings.

Exploring philosophical themes, this collection features essays that delve into concepts such as beginnings, memory, and the nature of images. It examines the interplay between imagination and temporality, offering insights into poetic expression and elemental properties. The contributions reflect a deep engagement with continental thought, inviting readers to reconsider the complexities of perception and representation in relation to the works of Plato and Nietzsche. Edited by John Sallis, this volume presents a rich tapestry of ideas for those interested in philosophy and aesthetics.

The Verge of Philosophy is in one sense a memorial for Sallis's longtime friend and interlocutor Jacques Derrida. The centerpiece of the book is an extended examination of three sites in Derrida's thought: his interpretation of Heidegger regarding the privileging of the question, Derrida's account of the Platonic figure of the good, and his interpretation of Plato's discourse on the elusive notion of the receptacle of all things, which Plato designates by the enigmatic word chora. Sallis's explorations are given added weight-even poignancyby his discussion of his many public and private philosophical conversations with Derrida over the decades of their friendship. The Verge of Philosophy thus simultaneously serves to mourn and remember a friend and to push forward the deeply searching discussions that lay at the very heart of that friendship.

Engaging with both contemporary and ancient philosophical themes, this work offers valuable insights for readers interested in the evolution of philosophical thought, particularly regarding Plato's influence. It presents a thorough examination of key concepts, encouraging deep reflection and serious consideration from scholars and enthusiasts alike.