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Alicia Malone

    Alicia Malone est une passionnée reporter et animatrice de cinéma dont le travail défend le cinéma classique et les films indépendants, avec un accent particulier sur la promotion des femmes dans le cinéma. Elle explore en profondeur les histoires des premières femmes cinéastes et examine de manière critique la sous-représentation continue des femmes dans l'industrie. Les analyses pertinentes de Malone et son dévouement à l'histoire du cinéma en font une voix éminente dans le discours cinématographique contemporain.

    Girls on Film
    The Female Gaze
    • 2022

      Girls on Film

      Lessons From a Life of Watching Women in Movies (Filmmaking, Life Lessons, Film Analysis) (Birthday Gift for Her)

      • 224pages
      • 8 heures de lecture
      3,8(181)Évaluer

      Alicia Malone explores the representation and influence of women in film through a series of personal essays. Combining her own experiences with insightful analysis, she highlights the contributions of women in the industry. The book features interviews with a diverse array of prominent female figures in cinema, enriching the narrative with their perspectives and stories. This collection not only celebrates women's roles in filmmaking but also examines the broader impact they have on the art form.

      Girls on Film
    • 2022

      With the success of Patty Jenkins’s Wonder Woman and the rise of the MeToo movement, the role of women creators in film has become increasingly vital. The concept of the “male gaze,” introduced in the 1970s, highlights the impact of a predominantly male perspective in art and entertainment. In contrast, this work explores the “female gaze” and what it reveals about cinema. It features a comprehensive list of essential films made by women throughout history, examining the unique insights these perspectives bring to each work. Readers will discover the remarkable biographies of both renowned and lesser-known women filmmakers who have significantly influenced the industry, often without due recognition. The text highlights the achievements of figures like Dorothy Arzner, Ida Lupino, Kathryn Bigelow, and Greta Gerwig, detailing their challenges in establishing their careers and how their distinct voices shaped their films. Additionally, the collection includes mini-essays by diverse female film critics, each reflecting on a woman or film made by women that resonates with them. This serves as a guide for movie lovers eager to support and appreciate the contributions of women in film.

      The Female Gaze