Poetry. Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.
Elisa Gabbert Livres
Elisa Gabbert est une poétesse et essayiste dont l'œuvre explore les complexités du langage et de la psyché humaine. Son écriture se caractérise par des aperçus percutants et une perspective non conventionnelle sur la vie moderne. Gabbert explore les thèmes de l'identité, de la perception et des frontières souvent floues entre le monde intérieur et extérieur. Sa prose comme sa poésie se distinguent par leur intelligence et leur maîtrise formelle, offrant aux lecteurs une expérience profonde et stimulante.






The book explores the pervasive impact of technology on communication and perception of the world, highlighting a culture obsessed with constant connectivity and information overload. It delves into the collective anxiety surrounding contemporary issues, reflecting on how the overwhelming influx of news contributes to a sense of despair. The narrative captures the tension between the desire for knowledge and the emotional toll it takes, prompting readers to consider the implications of living in an age defined by digital distractions and a bleak outlook.
The Word Pretty
- 158pages
- 6 heures de lecture
Humor and keen observation characterize this collection of lyrical essays, where Elisa Gabbert explores writing, reading, and life itself. Blending criticism, meditation, and personal reflection, the essays delve into diverse topics such as translation, aphorisms, the nature of memory, and perceptions of beauty influenced by the male gaze. Gabbert's poetic lens offers insightful commentary on these themes, inviting readers to ponder the intricacies of language and experience.
A collection of thought-provoking essays exploring reading, art, and intellectual life by the acclaimed author of "The Unreality of Memory."
The Self Unstable
- 96pages
- 4 heures de lecture
Literary Nonfiction. Elisa Gabbert's THE SELF UNSTABLE combines elements of memoir, philosophy, and aphorism to explore and trouble our ideas of the self, memory, happiness, aesthetics, love, and sex. With a sense of humor and an ability to find glimmers of the absurd in the profound, she uses the lyric essay like a koan to provoke the reader's reflection unsettling the role of truth and interrogating the "I" in both literary and daily life: "The future isn't anywhere, so we can never get there. We can only disappear." "Gabbert strikes a perfect balance between heart and head, between cleverness and earnestness, between language that demonstrates its own fallibility and language that is surprisingly, perfectly precise." Make Magazine ..". smart and philosophically dexterous, capable of showing the self to be a fetish-object of its own and also a refractive subject of Lacanian devotion, as a mirror which doesn't so much distort as endlessly reveal, ' like the panopticon eye of a camera." The Rumpus ..". the dispassion about the self allows the writer to enact a number of equally lovely sleights of hand . . . Even while the author is drawn to image and reason, she is also in love with the vanishing point, where all perspective is ecstatically compressed into a single node." Gently Read Literature"
A collection of funny and thought-provoking poems inspired by surprising facts that will appeal to poetry lovers and poetry haters alike, from the author of the essay collection The Unreality of Memory, “a work of sheer brilliance, beauty, and bravery” (Andrew Sean Greer) Known to be both “casually brilliant” (Sandra Newman) and a “ruthless self-examiner” (Sarah Manguso), acclaimed writer Elisa Gabbert brings her “questing, restless intelligence” (Kirkus Reviews) to a new collection of poetry. By turns funny and chilling, these poems collect strange facts, interrogate language, and ask unanswerable questions that offer the pleasure of discovery on nearly every page: How does one suffer “gladly,” exactly? How bored are dogs? Which is more frightening, nothing or empty space? Was Wittgenstein sexy? The poems in this collection are earwormy, ultracontemporary, essayistic, aphoristic, and philosophical—invitations to eavesdrop on a mind paying attention to itself. Normal Distance is a book about thinking and feeling, meaning and experience, trees and the weather, and the boredom and pain of living through time.