A virtuosic meditation on literature and life in the tradition of Virginia Woolf’s A Room of One’s Own and William H. Gass’s On Being Blue.“Without planning it, I wrote a diary of sorts. Lightly. A diary of fiction. Or is that not what this is?” A series of essayistic inquiries come together to form a sustained meditation on writers and their works, on the spaces of reading and writing fiction, and how these spaces take shape inside a life. Driven by primary questions of authenticity and freedom in the shadow of ecological and social collapse, A Horse at Night: On Writing moves associatively through a personal canon of authors—including Marguerite Duras, Elena Ferrante, Renee Gladman, and Virginia Woolf—and topics as timely and various as female friendships, zazen meditation, neighborhood coyotes, landscape painting, book titles, and the politics of excess. Amina Cain’s first nonfiction book is an individual reckoning with the contemporary moment and a quietly brilliant contribution to the lineage of Woolf’s A Room of One’s Own or William H. Gass’s On Being Blue, books that are virtuosic arguments for—and beautiful demonstrations of—the essential unity of writing and life.
Amina Cain Livres
Amina Memory Cain crée une prose qui explore les territoires complexes du corps, de la sexualité et de l'histoire de l'art. Son style est provocateur et incisif, explorant souvent les tensions entre la vie intérieure des personnages et les pressions sociétales extérieures. Cain évite les récits conventionnels, construisant à la place ses histoires par fragments, images et émotions puissantes. Ses œuvres mettent les lecteurs au défi de reconsidérer leurs perceptions de l'intimité et de l'identité.




Creature
- 141pages
- 5 heures de lecture
“Amina Cain is a beautiful writer. Like the girl in the rearview mirror in your backseat, quiet, looking out the window half smiling, then not, then glancing at you, curious to her. That is how her thoughts and words make me feel, like clouds hanging with jets, and knowing love is pure.” —Thurston Moore Amina Cain’s Creature brings together short fictions set in the space between action and reflection, edging at times toward the quiet and contemplative, at other times toward the grotesque or unsettling. Like the women in Jane Bowles’s work, Cain’s narrators seem always slightly displaced in the midst of their own experiences, carefully observing the effects of themselves on their surroundings and of their surroundings on themselves. Other literary precursors might include Raymond Carver and John Cage, with Carver’s lucid prose and instinct for the potency of small gestures and Cage’s ability to return the modern world to elementary principles. These stories offer not just a unique voice but a unique narrative space, a distinct and dramatic rendering of being-in-the-world.
Without planning it, I wrote a diary of sorts. Lightly. A diary of fiction. Or is that not what this is?
Indelicacy
- 176pages
- 7 heures de lecture
"In "a strangely ageless world somewhere between Emily Dickinson and David Lynch" (Blake Butler), a cleaning woman at a museum of art nurtures aspirations to do more than simply dust the paintings around her. She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor - social and erotic - but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?"--Publisher