Tristimania
- 96pages
- 4 heures de lecture
Tristimania is Mary Ruefle’s eighth book of poems.
Mary Ruefle Livres
Mary Ruefle est une poète et essayiste américaine dont l'œuvre se caractérise par une perspicacité saisissante de l'expérience humaine et un style linguistique original. Ses poèmes et essais explorent les complexités de l'existence avec élégance et profondeur, présentant souvent des retournements surprenants et des images inattendues. Ruefle aborde l'écriture avec une profonde curiosité, cherchant constamment de nouvelles façons d'articuler l'inarticulable. Son travail séduit les lecteurs qui apprécient l'introspection réfléchie et la beauté poétique.
Trances of the Blast
- 136pages
- 5 heures de lecture
A much-anticipated new collection from celebrated poet Mary Ruefle--moving, authoritative, generous.
My Private Property
- 128pages
- 5 heures de lecture
The paperback edition of lauded poet Mary Ruefle's latest collection of exciting and vivacious prose poems, essays, and more in-between.
A Little White Shadow
- 42pages
- 2 heures de lecture
An exquisite art book of gentle and elegant found poetry.
Madness, Rack, and Honey: Collected Lectures
- 352pages
- 13 heures de lecture
Cultural criticism meets poetry memoir—a contemporary master reflects on a life dedicated to poetry.
On Imagination
- 32pages
- 2 heures de lecture
From religion to poetry to museum exhibitions, an inquiry into imagination's manifestations by acclaimed poet Mary Ruefle.
Dunce
- 104pages
- 4 heures de lecture
A stunning new collection of poems from Mary Ruefle inviting the many readers of her prose to discover the central form of her literary imagination.
Following the acclaimed Dunce , which was a finalist for the Pulitzer Prize, comes Mary Ruefle’s latest prose publication The Book . True to its bold title, The Book affirms Mary Ruefle’s legacy as (dubbed by Publishers Weekly ) “the patron saint of childhood and the everyday.” With the same curiosity found in Madness, Rack, and Honey and My Private Property , Ruefle’s prose here feels both omniscient and especially intimate. “It seems I believe in a bygone world though I no longer live there,” she writes. “Will I continue to read about all that is dusty?” In the spirit of friendship, Ruefle generously invites us to query ourselves as readers and thinkers in a world that will eventually endure without us.