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Adrienne Gruber

    Monsters, Martyrs, and Marionettes
    Buoyancy Control
    Q & A
    • Q & A

      • 112pages
      • 4 heures de lecture
      4,5(17)Évaluer

      Exploring the profound journey of pregnancy and childbirth, this poetry collection serves as a memoir reflecting on trauma and transformation. The poet delves into the darker aspects of her experiences, uncovering a disturbing history of how pregnant and birthing women have been treated. Gruber's work captures the complexities of motherhood, intertwining fear and hope through evocative language that resonates deeply with readers.

      Q & A
    • Buoyancy Control

      • 96pages
      • 4 heures de lecture
      4,0(27)Évaluer

      Exploring themes of sexuality, identity, and emotional recovery, this poetry collection intricately weaves together metaphors of water and its inhabitants. Gruber's work is divided into two evocative sections, capturing the interplay between land and sea, mind and body. The poems reflect on loss and longing in relationships, while also hinting at the possibility of new beginnings amid the aftermath of heartbreak. Through her languid verses, Gruber invites readers to navigate the depths of human experience.

      Buoyancy Control
    • Monsters, Martyrs, and Marionettes is a revelatory hybrid collection that subverts the stereotypes and transcends the platitudes of family life to examine motherhood with blistering insight. Documenting the birth and early life of her three daughters, Adrienne Gruber shares what it really means to use one's body to bring another life into the world and the lasting ramifications of that act on both parent and child. Each piece peers into the seemingly mundane to show us the mortal and emotional consequences of maternal bonds, placing experiences of " being a mom" within broader contexts-- historical, literary, biological, and psychological-- to speak to the ugly realities of parenthood often omitted from mainstream conversations. Ultimately, this deeply moving, graceful collection forces us to consider how close we are to death, even in the most average of moments, and how beauty is a necessary celebration amidst the chaos of being alive.

      Monsters, Martyrs, and Marionettes