Literary Theory
- 269pages
- 10 heures de lecture
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Hans Bertens est un auteur académique néerlandais et professeur émérite spécialisé dans les études américaines et la littérature comparée. Son travail a exploré les complexités de la littérature moderne et postmoderne, examinant ses aspects formels et ses implications idéologiques. Bertens a analysé comment les techniques et les styles littéraires reflètent et façonnent notre compréhension du monde, offrant des perspectives perspicaces sur l'évolution de la pensée littéraire. Son approche souligne l'interconnexion de la théorie littéraire et de l'analyse critique.



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Now in its fourth edition, Literary Theory: The Basics is an essential guide to the complicated and often confusing world of literary theory. Readers will encounter a broad range of topics from Marxist and feminist criticism to postmodernism, queer studies and ecocriticism.
The essays in this collection address key theoretical issues surrounding Postmodernism, including its evolving definition, periodization, and historicity. Some pieces provide readings of Postmodernist texts, linking practical criticism to theoretical frameworks. Hans Bertens outlines the historical evolution of Postmodernism in American criticism, clarifying various definitions proposed over the past twenty-five years to enhance understanding and discussion. Brian McHale and Douwe Fokkema present models for analyzing Postmodernist texts, while Richard Todd argues that Postmodernism is more prevalent in contemporary British fiction than previously recognized. Herta Schmid makes a similar case regarding Russian avant-garde theater. Elrud Ibsch contrasts Thomas Bernhard and Robert Musil, and Ulla Musarra explores Italo Calvino's work. Gerhard Hoffman examines the relationship between Existentialism and Postmodernism, while Theo D'haen identifies parallels between Postmodernism in literature and visual arts. Matei Calinescu connects literary Postmodernism to broader cultural shifts, challenging Foucault's idea of an epistemic break and advocating for both continuity and discontinuity. Finally, Helmut Lethen and Susan Suleiman critically assess the concept of Postmodernism, with Suleiman suggesting that the alleged reaction against Modernism may be a critical myth or limited to the American context.