Alice Kaplan Livres

A biography of the novel that tells us how this poor, sickly young writer from Algeria happened to write perhaps the century's most ubiquitous novel.

The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus's novel has been translated into sixty languages and sold more than six million copies. It's the rare novel that's as at likely to be found in a teen's backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it. How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for "The Stranger", Alice Kaplan tells that story. In the process, she reveals Camus's achievement to have been even more impressive--and more unlikely--than even his most devoted readers knew. Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger. Even then, the book's publication was far from certain. France was straining under German occupation, Camus's closest mentor was unsure of the book's merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship. The initial critical reception of The Stranger was mixed, and it wasn't until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus's book-- with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation--became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece. Few books inspire devotion and excitement the way The Stranger does. And it couldn't have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration. -- Publisher description

For decades, French writer, editor, and publisher Roger Grenier has been enticing readers with compact, erudite books that draw elegant connections between the art of living and the work of art. Under Grenier’s wry gaze, clichés crumble, and offbeat anecdotes build to powerful insights. With Palace of Books, he invites us to explore the domain of literature, its sweeping vistas and hidden recesses. Engaging such fundamental questions as why people feel the need to write, or what is involved in putting one’s self on the page, or how a writer knows she’s written her last sentence, Grenier marshals apposite passages from his favorite writers: Chekhov, Baudelaire, Proust, James, Kafka, Mansfield and many others. Those writers mingle companionably with tales from Grenier’s half-century as an editor and friend to countless legendary figures, including Albert Camus, Romain Gary, Milan Kundera, and Brassai,. Grenier offers here a series of observations and quotations that feel as spontaneous as good conversation, yet carry the lasting insights of a lifetime of reading and thinking. Palace of Books is rich with pleasures and surprises, the perfect accompaniment to old literary favorites, and the perfect introduction to new ones.

Brilliantly uniting the personal and the critical, French Lessons is a powerful autobiographical experiment. It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning.

Set during World War I, this monumental philosophical novel about human despair inspired Albert Camus' own writing and prefigured the greater existential movement. Blood Dark tells the story of a brilliant philosopher trapped in a provincial town and of his spiraling descent into self-destruction. Cripure, as his students call him—the name a mocking contraction of Critique of Pure Reason—despises his colleagues, despairs of his charges, and is at odds with his family. The year is 1917, and the slaughter of the First World War goes on and on, with French soldiers not only dying in droves but also beginning to rise up in protest. Still haunted by the memory of the wife who left him long ago, Cripure turns his fury and scathing wit on everyone around him. Before he knows it, a trivial dispute with a complacently patriotic colleague has embroiled him in a duel.

Jacqueline Bouvier was a twenty-year-old debutante from a wealthy East Coast family. Susan Sontag was twenty-four, a precocious Jewish intellectual from a family of modest means. Angela Davis, a French major at Brandeis from a prominent African American family in Birmingham, Alabama, found herself the only black student in her year abroad program.

Set against the backdrop of postwar Paris, this biography chronicles the life of Baya, a gifted young artist from colonial Algeria. Orphaned at nine, she was discovered by Marguerite Caminat, who became her mentor and surrogate mother. Their complex relationship shaped Baya's artistic journey, culminating in her 1947 exhibition that captivated cultural icons like Camus and Matisse. Alice Kaplan explores Baya's impact on modern art narratives while delving into the intricate dynamics of race, identity, and mentorship in a transformative era.

They wrote States of Plague in response-as a guide to these moments where the written and the real collide. For many people, The Plague feels personal now. And through this lens, certain features became vital: Camus's sensitivity toward illness, his experience of a contagious disease, the cost of separation in his own life, and the psychology and politics of the city in quarantine. Because they come to the book from different perspectives, Kaplan and Marris alternate their voices so that their chapters offer two complementary ways of looking at Camus. They find that their sense of Camus evolves under the force of a new reality, alongside the pressures of illness, recovery, concern, and care in their own lives. Kaplan herself is struggling with a case if Covid as the book opens; as it closes, Marris receives her first vaccine shot. In between, they find, aspects of Camus's novel that once seemed merely literary spoke directly to their own fear and grief. .