This book argues that the voice is a crucial link between bodies, thought, and mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in Greek poetry and philosophy and then shows how Aeschylus' tragedies gain meaning from the rubric and performance of voice.
Greek poetry invented ephemerality as a mark of the human condition and introduced materials for confronting it. This book examines ancient Greek poetry, including Homer, Archilochus, Sappho, Simonides, Aeschylus, Pindar and Timotheus, to show how this poetry offered the embodiment of its rhythms as an answer to change and loss.