Michael Smalley Livres

“Life is relationships; the rest is just details.” We are designed for relationships, yet they often bring us pain. In this paradigm-shifting book, Dr. Gary Smalley unravels the DNA of relationships: We are made for three great relationships―with God, others, and ourselves―and all relationships involve choice. Gary exposes a destructive relationship dance that characterizes nearly every relationship conflict, and he offers five new dance steps that will revolutionize relationships. The DNA of Relationships, the cornerstone book in Gary Smalley's relationship campaign, will help you learn to take personal responsibility, create a safe environment, keep their battery charged, listen with the heart, and adopt a no-losers policy. It will revolutionize your marriage, family, friendships, and work relationships!

Focusing on the essential nature of human connections, this book reveals that fulfilling relationships hinge on three key dimensions: our relationship with God, with others, and with ourselves. Drawing from extensive research, Dr. Gary Smalley and Dr. Michael Smalley offer insights into understanding our relational DNA, providing readers with tools to cultivate the relationships they desire. The authors emphasize that these connections are integral to achieving a harmonious and satisfying life.

Drawing on interview material from more than 20 leading stage managers from the UK, USA and Australia, this book situates the contemporary practice of stage management within its historical and social contexts. Questioning the notions of the invisible stage manager and a linear production process, it argues for a broader conception of stage management lying at the intersections of administration, management and artistry. This volume places stage management practice within key theories drawn from the diverse fields of performance studies, semiotics, phenomenology, distributed cognition, management and scenography. It champions the creative agency of stage management and details the properties of communication which stage managers manipulate and the objectives they set out to achieve as a guide for decision making. While it considers the different approaches necessitated by productions from different cultures, genres, and so on, it offers a view of stage management which is not bound by these differences.