Edward J Sullivan Livres

This is the first comprehensive publication devoted to Tomás Sánchez, one of the most important and celebrated living Cuban artists. Sánchez is a commanding realist, although his landscapes are imagined or dreamed. His work is meticulous in its breath-taking detail, but the objective of the artist is not so much the recreation of reality as it is the display of a magical realism. In this respect, Sánchez is closer perhaps to Gabriel García Márquez than to the North American model of hyperrealism. This volume follows the development of Sánchez's work chronologically from his early expressionist paintings to his most recent landscapes.

This book presents an audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century. Rather than viewing modernization as a steady progression from one ism to another, Edward Sullivan adopts a comparative approach, drawing his examples from North America, the Caribbean, Central, and South America. By considering the Americas in this hemispheric sense he is able to tease out many stories of art and focus on the ways in which artists from different regions not only adapted and experimented with visual expression, but also absorbed trans-national as well as international influences. He shows how this rich diversity is most evident in the various forms of abstract art that emerged throughout the Americas and which in turn had an impact on art throughout the world.