Klich and Scheer describe new and emergent forms including video performance, digital theatre, interactive dramaturgies and immersive environments, presenting an up-to-date analysis of the evolving relationship between technology and aesthetics in contemporary performance culture.
100 Years of Cruelty brings together responses to the Artaud question from some of the leading contemporary scholars working in the humanities today. The essays cover a wide variety of topics in opening the Artaud question to the disciplines - and the demarcations upon which so much knowledge and art practice is defined. They are intended as an affront to conservative thought, as an attack on clinical reason and as an open challenge to the corporate university.