Marianne Moore Livres

Marianne Moore's correspondence makes up the largest and most broadly significant collection of any modern poet. It documents the first two-thirds of this century, reflecting shifts from Victorian to modernist culture, the experience of the two world wars, the Depression and postwar prosperity, and the changing face of the arts in America and Europe. Moore wrote letters daily for most of her life - long, intense letters to friends and family; shorter, but always distinctive letters to an ever-widening circle of acquaintances and fans. At the height of her celebrity, she would occasionally write as many as fifty letters a day. Both Moore and her correspondents appreciated the value of their exchange, so that an extraordinary number of letters, approximately thirty thousand, have been preserved

Marianne Moore scholar Heather Cass White has prepared an edition of poems that, for the first time, presents the full range of Moore's work in its published order, while honouring the complex textual lives of the poems.

This definitive edition contains sixty years of Marianne Moore's poems, incorporating her text revisions and her own entertaining notes that reveal the inspiration for complete poems and individual lines.

The Nation magazine, since its founding in 1865, began what has become, for better or worse, art criticism as a cultural institution in the United States. This eclectic collection features contributors like Christopher Hitchens on “degenerate art,” Heywood Broun on the Artists Congress of 1936, Katherine Anne Porter on children’s art, Marianne Moore on the death of Nation art critic Paul Rosenfeld, and Langston Hughes on “Negro Art.” The volume also includes contributions from many well-known Stuart Davis, Marsden Harley, Alfred Stieglitz, John Marin, Kenyon Cox, Guy Pene Du Bois, Louis Lozowick, and Frank Lloyd Wright. Celebrated writers on art such as Bernard Berenson, Clement Greenberg, Lawrence Alloway, Hilton Kramer, Max Kozloff, John Berger, and Arthur Danto give readers first-hand accounts of the debuts of artists ranging from John Singer Sargent to Jackson Pollock and Willem deKooning as well as the famous lawsuit between John Ruskin and James McNeill Whistler (reported by a youthful Henry James), the destruction of Diego Rivera’s Rockefeller Center murals and Richard Nixon’s views on art. More recently writers like E.L. Doctorow and Katha Pollitt have weighed in on the recent culture wars over arts funding and free expression.

Seer, critic, lover, madwoman—the poet's sensibility allows us to experience diverse perspectives in this rich collection of contemporary American poetry. Featuring a poem from each chancellor, fellow, and award winner of the Academy of American Poets since 1934, this anthology showcases a unique array of literary styles and themes that have shaped the last five decades. Readers will encounter both familiar and new voices, as well as the great American poems that resonate deeply with our minds and hearts. The Academy's mission is to encourage and foster the production of American poetry, embracing poets of all schools and methods. This anthology serves as a representative cross-section of American poetry over the past 50 years, reflecting the institution's commitment to change and growth. It emphasizes that poetry is not solely for poets but for everyone. Compiled with this ethos, the collection aims to educate and inspire, offering insight into the dynamic evolution of American poetry. The Academy of American Poets stands as the only institution capable of assembling such a distinctive anthology, having consistently supported poets and promoted poetry as an accessible and vital part of the American literary landscape.