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Guido Ruggiero

    Guido Ruggiero est un historien axé principalement sur l'histoire sociale et culturelle de l'Italie de la Renaissance et du début de l'époque moderne. Son œuvre explore des thèmes tels que le genre, le sexe, le crime et la vie quotidienne, en employant des approches interdisciplinaires qui mêlent microhistoire, histoire narrative et critique littéraire. Ruggiero promeut l'utilisation de sources d'archives pour raconter des récits captivants, en intégrant la littérature et la recherche historique. Sa recherche se concentre souvent sur Venise, cherchant à offrir de nouveaux paradigmes pour comprendre la Renaissance italienne à travers son tissu social.

    Love and Sex in the Time of Plague
    The Boundaries of Eros
    • 2021

      Love and Sex in the Time of Plague

      A Decameron Renaissance

      • 320pages
      • 12 heures de lecture
      3,7(11)Évaluer

      Set against the backdrop of Renaissance Florence, this exploration delves into the impact of Giovanni Boccaccio's Decameron during a tumultuous era marked by the Black Death and significant political upheaval. The narrative reflects themes of love, sex, loyalty, and betrayal, highlighting how the work redefined concepts of truth and virtue amidst desperation and potential for change. Ruggiero captures the essence of how the Decameron was perceived in the fourteenth century, offering a vivid portrayal of its cultural significance.

      Love and Sex in the Time of Plague
    • 1989

      The Boundaries of Eros

      • 240pages
      • 9 heures de lecture
      4,0(61)Évaluer

      Utilizing the records of several Venetian courts that dealt with sex crimes, Ruggiero traces the evolution of both licit and illicit sexuality during the 14th and 15th centuries. He argues that the use of such records reveals not only the nature of sexual behaviour that was considered criminal, but also what society established as the norm. Through this examination of illicit sexuality, Ruggiero sheds light on the institutions, languages, social life and values not only of this shadow-culture, but also of Venetian society and, ultimately, the Renaissance itself.

      The Boundaries of Eros