'A lyrical investigation ... both powerful and transcendent' CHIGOZIE OBIOMA 'Acutely observed, hauntingly rendered and deeply affecting' AMINATTA FORNA 'Both epic and intimate' MARGO JEFFERSON An astonishing search for a missing person, the hidden tragedies of war and the truth of Nigeria's history. Emmanuel Iduma never met his uncle, his father's favourite brother and the man for whom he is named. The elder Emmanuel left home in 1967 to fight in the Biafran War and was not seen again. The war lasted for three years, with young Igbo men volunteering to fight for a breakaway republic in the chaotic wake of British decolonization. Around one hundred thousand others who fought in the war share a fate like Emmanuel's uncle, though there are no official records of these losses. The tensions that gave rise to the conflict remain live, threatening sometimes to bubble over. In this landscape, there are no monuments or graves. Instead, a collective remembering that remains, for the most part, silent. I Am Still with You sees a young Nigerian return to his place of birth. Travelling the route of the war, Iduma explores both a national history and the mysteries of his own family, finding both somewhat scarred and haunted, the memories warped by time and the darkest parts left for decades unspoken.
Emmanuel Iduma Livres
Emmanuel Iduma est un écrivain et critique d'art nigérian dont l'œuvre explore des thèmes complexes d'identité et de représentation culturelle. Sa prose est saluée pour sa qualité imaginative et sa capacité à rendre des mondes captivants. Iduma s'engage également profondément dans la critique d'art, explorant le dialogue entre les arts visuels et la littérature. Son écriture offre une contribution significative aux lettres africaines contemporaines et à la réflexion artistique.




A Stranger's Pose
- 216pages
- 8 heures de lecture
A mesmerising collection of striking travel snapshots
Adji Dieye. Culture Lost and Learned by Heart
C/O Berlin Talent Award 2021
Lina Iris Viktor
- 80pages
- 3 heures de lecture
This is the first publication of the work of British-Liberian artist Lina Iris Viktor, on the occasion of her first solo museum show at the New Orleans Museum of Art. Viktor's work merges self-portraiture with opulent geometric backdrops in gold, black and few other colors.