Krüger Loren Livres

Focusing on the evolution of dramatic writing and performance in twentieth-century South Africa, the book explores both traditional and ceremonial forms of theatre. It highlights prominent figures like Athol Fugard alongside lesser-known contributors, examining the influence of American musical styles, minstrel shows, and vaudeville on local theatre. The work also emphasizes the roles of women, South Asians, and other minorities, culminating in an analysis of the post-apartheid theatrical landscape at the century's close.

Post-Imperial Brecht challenges prevailing views of Brecht's theatre and politics. Kruger focuses much of her analysis in regions where Brecht has had special resonance, including East Germany, and South Africa, where Brechtian philosophy has been vigorously employed in the anti-apartheid movement. Kruger also analyses political interpretations of Brecht in light of other key dramatists, including Heiner MÜller and Athol Fugard. The book also examines Brechtian influence on writers and philosophers such as Adorno, Benjamin, and Barthes.