John Steer Livres

Venetian painting grew out of Byzantine art, and its opulence and sensuousness clearly differentiate it from the more intellectual art of Florence. In this lively history of the Venetian school, John Steer traces its development between the fourteenth and eighteenth centuries. From the Bellinis onwards, Venetian artists used light, space and, above all, color to dramatic effect, as seen in the fifteenth- and sixteenth-century works of Titian, Tintoretto and Veronese, and, in the eighteenth century, Canaletto, Tiepolo and Guardi. 175 illus., 33 in color. "A scholarly and careful account...Quite plainly he loves his subject and has deep knowledge of it." --The Times Educational Supplement"Should be of invaluable help to the student." --The Scotsman

Exploring the civil and ecclesiastical duties of early nineteenth-century parishes, this comprehensive review offers insights into the social and religious frameworks of the time. Originally published in 1830, it delves into the roles and responsibilities that shaped community life, highlighting the interplay between church and state. The work serves as a valuable historical resource for understanding the governance and moral obligations within parish structures during this pivotal era.