Steve Erickson est un auteur célébré dont les œuvres explorent les complexités de l'identité américaine et des changements sociétaux. Son écriture, caractérisée par une prose riche et souvent surréaliste, sonde les recoins sombres de la psyché humaine et la fluidité de la réalité. L'approche littéraire d'Erickson est visuelle et atmosphérique, attirant les lecteurs dans ses récits comme des tableaux cinématographiques. Ses romans jouent avec des chronologies fragmentées et des personnages ambigus, incitant à la réflexion sur la nature de la mémoire et de l'histoire.
Zeroville begins in 1969 on Hollywood Boulevard, when a Greyhound bus drops off a film-obsessed ex-seminarian with images of Elizabeth Taylor and Montgomery Clift tattooed on his head. Vikar Jerome steps into the vortex of a cultural transformation: rock ’n’ roll, sex, drugs, and — far more important to him — the decline of the movie studios and the rise of the independent director. Jerome will become a film editor of astonishing vision. Then through encounters with former starlets, burglars, political guerillas, punk musicians, and veteran filmmakers, he discovers the astonishing secret that lies in every movie ever made.
A prisoner with a haunted past is released into ravaged Los Angeles, where he
pursues an elusive girl to the shores or Rubicon Beach and faces his lost
destiny. In his second novel, Steve Erickson creates a decaying world filled
with leftover passions and poetic vision that established him as one of the
most original and evocative American writers of his generation.
In the waning summer days, a lake appears almost overnight in the middle of Los Angeles. Out of fear and love, a young single mother commits a desperate convinced that the lake means to take her small son from her, she determines to stop it and becomes the lake's Dominatrix-Oracle, "the Queen of the Zed Night." Acclaimed by many critics as Steve Erickson's greatest novel, Our Ecstatic Days takes place on the forbidden landscape of a defiant heart.
A fantasy novel in which Steve Erickson takes the reader on a journey through another 20th century, eliding conventional borders of time and place to conduct an exploration of the underside of civilization.
A portrait of early-twenty-first-century Los Angeles and an American asylum is seen from the perspective of a narrator who lives on the edge of reality and brings together such characters as nomadic artists, reluctant pornographers, and alienated movie critics
Steve Erickson's novel is: compassionate, weird, unpredictable, jaunty. It's
sad, and it's droll and sometimes it's gorgeous ... In this novel, Erickson
has mobilized so much of what feels pressing and urgent about the fractured
state of the country in a way that feels fresh and not entirely hopeless, if
only because the exercise of art in opposition to complacent thought can never
be hopeless ... In 2017, it reads like an answer to and sanctuary from the
American Century to come. Fiona Maazel, New York Times Book Review Shadowbahn
[is] the best kind of experiment: provocative throughout, alive with laughter
and surprising in the ways it stirs the heart. John Domini, The Washington
Post Erickson was postmillennial long before the millennium ever got
here...Shadowbahn grabs hold of its narrative idea early and never lets it
go...its concerns are as genuine as its characters -- believable people
traveling through a degenerating political landscape while trying to remember
how they got to where they are before they reach the end of the road. Scott
Bradfield, The Los Angeles Times A one-of-a-kind work...[an] utterly
Daliesque, polyphonic rhapsody of a book. Dotun Akintoye, O Magazine
Shadowbahn will be an epoch-defining book in Trump's America. It's an American
Heart of Darkness almost by accident. Chris Vaughan, The Rumpus The novel of
now... the first novel of the Trump era. [Erickson] has written a battle hymn.
Michael Robbins, The Chicago Tribune Staggering. This is a book in which the
vastness of American ambition and dreaming can take your breath away and then,
only a few lines later, make you tremble with the sense that we are always
living a hair's breadth away from catastrophe. Shadowbahn filled me with
exultation and terror. Charles Taylor, Los Angeles Review of Books A book like
Shadowbahn serves as a bulwark against numbness and the dangerous belief that
the only response to incomprehensibility is inaction. David Leo Rice, The
Believer Erickson is an author for whom national tragedies are things with
which to wrestle from an unexpected angle - and the results are almost always
searing, haunting, and immeasurably powerful...In going to places few other
writers touch, Erickson explores uncomfortable questions with an eye towards a
greater moment of revelation. Tobias Carroll Shadowbahn isn't the novel we
deserve, it is the novel we need. The novel we need to Save American From
Itself. Joshua Chaplinsky, LitReactor Shadowbahn is an experience as much as a
book-a guided dream, maybe, or a trip through various emotions more than
through plot points. Samantha Holloway, New York Journal of Books In this
audacious futuristic novel, Erickson takes on American myth and history,
scrambling mobile phone signals and playlists, pushing our imaginative borders
along ever more shadowy faultlines. Jane Ciabattari, BBC Unusually structured
and daringly written, Erickson's gem of a novel is equally challenging and
rewarding, spinning out thread after thread of story before skillfully tying
them together in a satisfying climax. Publishers Weekly Think Philip K. Dick
on smoother acid and with a more up-to-date soundtrack, and you've got
something of this eminently strange, thoroughly excellent book. Kirkus
(starred review) Steve Erickson is one of America's greatest living novelists.
Wild, inventive and surprising, Shadowbahn combines the social novel, science-
fiction novel, and family novel. Dana Spiotta, author of Innocents and Others
A great, great, great, great novel. I could say more-about its big-world
heartedness and old-world shadowness, about twins and towers, brothers and
sisters, road trips and borders we design and transgress, and mostly about
Erickson's beautiful heart-bit music-and it would add up to the same thing:
great. Sung, of course. Mark Z. Danielewski, author of The Familiar Who else
but Steve Erickson could have imagined
Written during their retirement, two cousins, Peter Reynolds and Steven Erickson, share their insights and experiences in this collaborative work. The book reflects their unique bond and perspectives, offering readers a blend of personal anecdotes and thoughtful reflections. It explores themes of family, legacy, and the wisdom gained over a lifetime, inviting readers to connect with the authors' journey and the lessons learned along the way.
Een jonge man neemt wraak op zijn familie wanneer hij zijn ware afkomst ontdekt en gaat vervolgens pornografische verhalen schrijven om de kost te verdienen.