Jörg Immendorff Livres

Die in diesem Buch versammelten 21 Gemälde schlagen einen Bogen von der politisch agitatorischen Werkphase der ausgehenden 70er und frühen 80er Jahre zu den allegorisch verschlüsselten Gemälden der Jahre 1999 bis 2002. Aus der Rückschau erscheint auch die Konstruktion eines architektonischen Elements, eine Art Podest, auf dem die Besucherinnen und Besucher der Ausstellung ihre persönlichen Anmerkungen zur Kunst und zur Welt im Allgemeinen sowie zu Jörg Immendorffs Bildern im Besonderen aufschreiben können. Dieser „Standort für Kritik“ ist also nicht nur der Titel, sondern eine Funktion der Ausstellung, und geht zurück auf eine Gouache von 1976, in der Immendorff dieses Szenario skizziert hat. 16 Seiten farbiges Artist´s Insert

The first major exhibition catalogue dedicated to the artist since his passing in 2007 offers a thematic overview of his work, deeply rooted in Germany's history and shaped by a post-war context. Featuring over 120 works, the presentation does not adhere to a strict chronology but instead highlights key elements in the evolution of the artist's oeuvre through thematic chapters. This approach provides a nuanced perspective on his life and art, showcasing rare loans and iconic pieces from more than four decades of his career. In the late 1970s, the artist shifted his focus from being a political activist, teacher, and painter to fully embracing art. A pivotal moment came in 1976 when he participated in the Venice Biennale, launching a flyer campaign that criticized the deprivation of personal liberty in East Germany and advocated for international artistic collaboration. This was followed by the Café Deutschland series, inspired by Renato Guttuso, which marked a turning point in his work. His painting became more expressive, characterized by bold colors and gestures, moving away from ideologically charged symbols. This transformation culminated in his final phase, which he described as a “liberation blow,” resulting in a new pictorial energy and lightness.