Kevin Young Ordre des livres

In this lyrical picture book from an award-winning poet, a young boy cherishes a neighborhood field throughout the changing seasons. With stunning illustrations and a charming text, this beautiful story celebrates a child's relationship with nature. There was a boy named Emile who fell in love with a field. It was wide and blue-- and if you could have seen it so would've you. Emile loves the field close to his home--in spring, summer, and fall, when it gives him bees and flowers, blossoms and leaves. But not as much in winter, when he has to share his beautiful, changeable field with other children...and their sleds. This relatable and lyrical ode to one boy's love for his neighborhood field celebrates how spending time in nature allows children to dream, to imagine...and even to share.

**SHORTLISTED FOR THE T.S. ELIOT PRIZE 2021** A book of loss, looking back, and what binds us to life, by a towering poetic talent, 'one of the poetry stars of his generation' (Los Angeles Times). 'We sleep long, / if not sound,' Kevin Young writes early on in this exquisite gathering of poems, 'Till the end / we sing / into the wind.' In scenes and settings that circle family and the generations in the American South - one poem, 'Kith', exploring that strange bedfellow of 'kin' - the speaker and his young son wander among the stones of their ancestors. 'Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead.' Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering, precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them - of us - poetry can save.

Across a turbulent history, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. One of the great American art forms, African American poetry encompasses many kinds of verse: formal, experimental, vernacular, lyric, and protest. The anthology opens with moving testaments to the power of poetry as a means of self-assertion, as enslaved people voice their passionate resistance to slavery. This volume captures the power and beauty of this diverse tradition and its challenge to American poetry and culture. Here are all the significant movements and currents: the nineteenth-century Francophone poets known as Les Cenelles, the Chicago Renaissance that flourished around Gwendolyn Brooks, the early 1960s Umbra group, and the more recent work of writers affiliated with Cave Canem and the Dark Noise Collective. Here too are poems of singular, hard-to-classify figures: the enslaved potter David Drake, the allusive modernist Melvin B. Tolson, the Cleveland-based experimentalist Russell Atkins. The volume also features biographies of each poet and notes that illuminate cultural references and allusions to historical events-- adapted from dust jacket

The blues-a musical tradition uniquely American-has had a powerful influence on American poets, and this scintillating anthology offers a richness of poetry as varied and vital as the music that inspired it.