Gina Apostol Livres

Set against the backdrop of Marcos-era Philippines, the narrative follows Soledad Soliman, a university student who rebels against her affluent upbringing by joining radical friends. As she becomes entangled with two charismatic rebels, her involvement in a conspiracy leads to unforeseen and tragic outcomes. Years later, now distanced from her past, Sol seeks redemption by piecing together her memories in a confessional narrative. This poignant tale explores themes of youthful passion and the impact of political turmoil.

In her first novel since Insurrecto, Gina Apostol assembles a vision of Philippine history from the 19th century to present day in the fragmented story of the Delgados, a family surviving across generations of colonization, catastrophe, and war. Rosario, a Filipina novelist in New York City, has just learned of her mother’s death in the Philippines. Instead of rushing home, she puts off her return by embarking on a remote investigation into her family’s history and her mother’s supposed inheritance, a place called La Tercera, which may or may not exist. Rosario catalogs generations of Delgado family bequests and detritus: maps of uncertain purpose, rusted chicken coops, a secret journal, the words to songs sung at the family home during visits from Imelda Marcos. Each life Rosario explores opens onto an array of other lives and raises a multitude of new questions. But as the search for La Tercera becomes increasingly labyrinthine, Rosario’s mother and the entire Delgado family emerge in all their dizzying complexity: traitors and heroes, reactionaries and revolutionaries. Meanwhile, another narrative takes shape—of the country’s erased history of exploitation and slaughter at the hands of American occupying forces. La Tercera is Gina Apostol’s most ambitious, personal, and encompassing novel: a story about what seems impossible—capturing the truth of the past—and the terrible cost to a family, or a country, that fails to try.

Revealing glimpses of the Philippine Revolution and the Filipino writer Jose Rizal emerge despite the worst efforts of feuding academics in Apostol’s hilariously erudite novel, which won the Philippine National Book Award. Gina Apostol’s riotous second novel takes the form of a memoir by one Raymundo Mata, a half-blind bookworm and revolutionary, tracing his childhood, his education in Manila, his love affairs, and his discovery of writer and fellow revolutionary, Jose Rizal. Mata’s 19th-century story is complicated by present-day foreword(s), afterword(s), and footnotes from three fiercely quarrelsome and comic voices: a nationalist editor, a neo-Freudian psychoanalyst critic, and a translator, Mimi C. Magsalin. In telling the contested and fragmentary story of Mata, Apostol finds new ways to depict the violence of the Spanish colonial era, and to reimagine the nation’s great writer, Jose Rizal, who was executed by the Spanish for his revolutionary activities, and is considered by many to be the father of Philippine independence. The Revolution According to Raymundo Mata offers an intoxicating blend of fact and fiction, uncovering lost histories while building dazzling, anarchic modes of narrative.

A critical, satirical take on Philippine-American history, a powerful contribution to the postcolonial canon, and a fearless exploration of the limits of metafiction, INSURRECTO is a novel about women - artists, lovers, revolutionaries, daughters - finding their way to their own truths and histories.

Moving, sexy, and archly funny, Gina Apostol’s Philippine National Book Award-winning Bibliolepsy is a love letter to the written word and a brilliantly unorthodox look at the rebellion that brought down a dictatorship Gina Apostol’s debut novel, available for the first time in the US, tells of a young woman caught between a lifelong desire to escape into books and a real-world revolution. It is the mid-eighties, two decades into the kleptocratic, brutal rule of Ferdinand Marcos. The Philippine economy is in deep recession, and civil unrest is growing by the day. But Primi Peregrino has her own priorities: tracking down books and pursuing romantic connections with their authors. For Primi, the nascent revolution means that writers are gathering more often, and with greater urgency, so that every poetry reading she attends presents a veritable “Justice League” of authors for her to choose among. As the Marcos dictatorship stands poised to topple, Primi remains true to her fantasy: that she, “a vagabond from history, a runaway from time,” can be saved by sex, love, and books.