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Haji Mohamed Dawjee

    Cet auteur se concentre sur la narration visuelle, explorant souvent des relations interpersonnelles complexes et les mondes intérieurs des personnages. Son style se caractérise par une représentation subtile des émotions et de l'atmosphère, permettant aux lecteurs de s'identifier profondément aux personnages. Les œuvres reflètent fréquemment la nostalgie et la contemplation de la nature éphémère des moments. L'expression artistique de cet auteur est appréciée pour sa sensibilité et son originalité.

    Sorry, Not Sorry: Experiences of a Brown Woman in a White South Africa
    Love in Limbo, Vol. 2
    • Why don't white people understand that Converse tekkies are not just cool but a political statement to people of colour? Why is it that South Africans of colour don't really 'write what we like'? What's the deal with people pretending to be 'woke'? Is Islam really as antifeminist as is claimed? What does it feel like to be a brown woman in a white media corporation? And what life lessons can we learn from Bollywood movies? In Sorry, Not Sorry, Haji Mohamed Dawjee explores the often maddening experience of moving through post-apartheid South Africa as a woman of colour. In characteristically candid style, she pulls no punches when examining the social landscape: from arguing why she'd rather deal with an open racist than some liberal white people, to drawing on her own experience to convince readers that joining a cult is never a good idea. In the provocative voice that has made Mohamed Dawjee one of our country's most talked-about columnists, she offers observations laced with acerbic wit. Sorry, Not Sorry will make readers laugh, wince, nod, introspect and argue.

      Sorry, Not Sorry: Experiences of a Brown Woman in a White South Africa