Douglas Welsh Livres

Studies the soldiers, arms, and battles of the Civil War from its beginnings in 1861 to the Southern surrender at Appomattox

In Breaking the Flood, the first of four novels about the fall of Constantinople, Niccolo Gritti, a nineteen year-old scion of an aristocratic merchant dynasty in mid-15th century Venice, recounts his upbringing, his family’s impoverishment and his decision to take ship in a trading fleet to the eastern Mediterranean. Ambushed by corsairs, Niccolo is pressed as a galley slave. Soon, a fellow oarsman identifies himself as Demetrius Angelos, member of a distinguished military family in Constantinople. Demetrius is desperate to return there, threatened as his city is by the bellicose ruler of the Ottomans, Mehmet II. Eventually, the two young men escape the corsairs’ clutches and Niccolo decides to throw in his lot with Demetrius, journeying with him to the decayed Byzantine capital. At once, Bildungsroman and quest narrative, Breaking the Flood is both vivid and haunting, recreating a forgotten world with cinematic and at times hallucinatory clarity.

The Emperor's Marble Pavement, the second of four novels about the fall of Constantinople, finds Niccolo Gritti and Demetrius Alexandrou plunged in the turmoil of a city on war's brink, their friendship complicated by the presence of Theodora, Demetrius' pious sister and the prostitute Cinnamon. Now in the Emperor's service, Niccolo must make accommodation with an embattled Venetian merchant colony. The struggle between Constantine's supporters and those who would appease the Ottomans climaxes in the infamous Service of Union in Hagia Sophia. Then Demetrius disappears, a victim of his peace-party enemies. Niccolo goes in pursuit and the friends are reunited in the Turkish court, under the cynical eye of Mehmet II. Here, courtesy of Nestor-Iskander, a Christian fanatic in the Sultan's service, they witness the Ottoman siege train's ominous preparations before fleeing back to Constantinople. In The Emperor's Marble Pavement, the cross-currents of personal and historical destiny take on new turbulence.