Steven Rendall Livres

Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology--to speak of an apposite use of imaginative literature.

The beautiful Marquise de Banneville meets a handsome marquis, and they fall in love. But the young woman is actually a young man (brought up as a girl and completely in the dark about her―or his―true sex), while the marquis is actually a young woman who likes to cross-dress. Will they live happily ever after?In the introduction, Joan DeJean presents the fascinating puzzle of authorship of this lighthearted gender-bending tale written in the late seventeenth century in France. Was it François-Timoléon de Choisy, an abbot who was happiest in drag? Marie-Jeanne L'Héritier, an outspoken defender of women's writing of her day? Or Charles Perrault, L'Héritier's uncle and the famous author of such fairy tales as "Sleeping Beauty"? DeJean argues that the tale was a collaboration of all three and discusses the permeable borderline between masculinity and femininity, transvestism, and tolerance―then and now.