Hirsch Edward Livres

Longlisted for the 2014 National Book Award Never has there been a book of poems quite like Gabriel, in which a short life, a bewildering death, and the unanswerable sorrow of a father come together in such a sustained elegy. This unabashed sequence speaks directly from Hirsch’s heart to our own, without sentimentality. From its opening lines—“The funeral director opened the coffin / And there he was alone / From the waist up”—Hirsch’s account is poignantly direct and open to the strange vicissitudes and tricks of grief. In propulsive three-line stanzas, he tells the story of how a once unstoppable child, who suffered from various developmental disorders, turned into an irreverent young adult, funny, rebellious, impulsive. Hirsch mixes his tale of Gabriel with the stories of other poets through the centuries who have also lost children, and expresses his feelings through theirs. His landmark poem enters the broad stream of human grief and raises in us the strange hope, even consolation, that we find in the writer’s act of witnessing and transformation. It will be read and reread.

Winner of the National Book Critics Circle Award in Poetry, 1986“This is a lovely and moving collection, and it has not only the courage of its strong emotions, but the language and form that makes and keeps them clear and true.”—Anthony Hecht “Hirsch remains a poet of celebration, but the sorrows of the world are here too, in equal measure. The language is, throughout, simple, sensuous, and direct. We can be grateful for this book and this poet.”—Jay Parini “I have known the poetry of Edward Hirsch for some time, and have greatly admired it. But I even more greatly admire his Wild Gratitude as a general collection, and I am convinced that the best poems here are unsurpassed in our time.”—Robert Penn Warren

An exploration of the reasons for and meanings of poetry analyzes poems by Wordsworth, Plath, Neruda, and others to define their unique power and message.

100 of the most moving and inspiring poems of the last 200 years from around the world, a collection that will comfort and enthrall anyone trapped by grief or loneliness, selected by the award-winning, best-selling, and beloved author of How to Read a Poem Implicit in poetry is the idea that we are enriched by heartbreaks, by the recognition and understanding of suffering--not just our own suffering but also the pain of others. We are not so much diminished as enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a record. And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others. In 100 Poems to Break Your Heart, poet and advocate Edward Hirsch selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within these poems. For anyone trying to process grief, loneliness, or fear, this collection of poetry will be your guide in trying times.

Designed for use by parents, teachers and home educators, this second volume in the Core Knowledge UK series provides Year 2 children with the fundamentals they need to prepare them for a lifetime of learning.

Designed for parents, teachers and home educators to use with children, this fifth volume in the Core Knowledge UK series presents the specific and shared knowledge that should be at the core of a challenging Year 5 education

This book constitutes the proceedings of the 9th International Computer Science Symposium in Russia, CSR 2014, held in Moscow, Russia, in June 2014. The 27 full papers presented in this volume were carefully reviewed and selected from 76 submissions. In addition the book contains 4 invited lectures. The scope of the proposed topics is quite broad and covers a wide range of areas in theoretical computer science and its applications.

Now in his seventies, the award-winning poet looks back on what was and accepts what is, in a deeply moving and beautiful sequence about what sustains him Beginning with "My Friends Don't Get Buried," the lament of a delinquent mourner as his friends have begun to die, and ending with the plaintive note to self "don't write elegies/anymore," Edward Hirsch takes us backward through the decades in these memory poems of startling immediacy. He recalls the black dress a lover wore when he couldn't yet know the tragedy of her burning spirit; the radiance of an autumn day in Detroit when his students smoked outside, passionately discussing Shelley; the day he got off late from a railyard shift and missed an antiwar demonstration. There are direct and indirect elegies to lost contemporaries like Mark Strand, William Meredith, and, most especially, his longtime compatriot Philip Levine, whom he honors in several poems about daily work in the late mid-century Midwest. As the poet ages and begins to lose his peripheral vision, the world is "stranger by night," but these elegant, heart-stirring poems shed light on a lifetime that inevitably contains both sorrow and joy.

Edward Hirsch, ur. w 1950 roku w Chicago, jeden z najwybitniejszych żyjących poetów amerykańskich, nazywany jest „adwokatem poezji”. Rozległa erudycja i pasja, z jaką zachłannie czyta i propaguje poezję, sprawiła, że jego krytycznoliterackie książki, wśród nich How to Read a Poem (1999), zyskały status bestsellerów. Opublikował dziewięć tomów poetyckich, prawie wszystkie wyróżniono najbardziej prestiżowymi nagrodami literackimi. Ostatnio ukazały się The Living Fire: New and Selected Poems (2011) oraz Gabriel (2014) – wstrząsająca elegia napisana po śmierci syna. Jest laureatem Prix de Rome oraz Nagrody Amerykańskiej Akademii Sztuki i Literatury, a także McArthur Award, zwanej „stypendium dla geniuszy”. Poezja Hirscha żywo reaguje na współczesność, ale cechuje ją też wyjątkowe wyczulenie na historię – jego wiersze dotykają zjawisk tak dramatycznych jak Holokaust i okrucieństwa nazizmu. Jak zaświadcza poeta, ocalanie od zapomnienia tego, co zagrożone i ginące, poszukiwanie w świecie pierwiastka metafizycznego zawdzięcza on wpływowi polskiej szkoły poezji, która nauczyła go „opiewać ziemskie i pozaziemskie tajemnice”. Sam o sobie mówi żartobliwie, że jest amerykańską sekcją Towarzystwa Poezji Polskiej. Przewodniczy od początku jury Międzynarodowej Nagrody Literackiej im. Zbigniewa Herberta. Obecny wybór wierszy jest znacznie poszerzonym wznowieniem tomiku Dzika wdzięczność, który ukazał się w roku 2003. To wiersze o sensie życia, miłości, umierania; poetycki dziennik „modlącego się do tajemnic” poety. Ewa Lipska