Ann-Marie MacDonald Ordre des livres

In the late nineteenth century, Charlotte Bell grows up at Fayne, a vast estate straddling the England-Scotland border, isolated by her devoted father, Lord Henry Bell, due to a mysterious condition. Strong-willed and curious, Charlotte thrives in the moorlands, learning the bog's treacherous and healing ways from Byrn, an enigmatic hired man. Her idyllic life is overshadowed by a striking portrait of her mother, a beautiful Irish-American heiress who died giving birth to Charlotte, and her older brother, Charles, who passed away shortly after. When Charlotte’s thirst for knowledge threatens the estate’s boundaries, her father defies tradition and hires a tutor to educate her as he would a son. However, their explorations of the bog uncover an unexpected artefact, prompting her father to arrange a cure for her condition, shattering Charlotte's world. This journey of discovery leads Charlotte to confront family secrets and the essence of her identity, intertwining themes of science, magic, love, and the power of storytelling. The narrative is a magnificent exploration of gender constructs and personal growth, praised for its engaging and beautiful prose.

Mary Rose McKinnon has two children with her partner Hilary and a fractured relationship with her mother Dolly; she also has issues with anger management and lives in fear of hurting the children, these feelings seem somehow rooted in a part of her childhood she has trouble remembering. Is Dolly - the kind of big personality who makes all Mary Rose's friends, and even waiters in coffee shops, exclaim 'I love your Mum!' - really harbouring a dark secret about what caused Mary Rose's childhood injuries, and is Mary Rose doomed to follow the same path with her own children?

Cape Breton Island, Nova Scotia, rond 1900: de jonge pianostemmer James wordt met zijn kindbruidje Materia verbannen naar een eenzaam huis op een klif. Tot elkaar veroordeeld vechten zij en hun dochters zich door het leven. Laten wij aanbidden is een adembenemende geschiedenis die de lezer nog lang bijblijft. Een roman voor wie houdt van de Brontës, Annie Proulx en Carol Shields.

1962. Les MacCarthy rentrent au pays et s'installent à Centralia, au sud de l'Ontario. Ils forment une famille exemplaire. Jack, le père, est officier de carrière et Mimi, la mère, une femme resplendissante. Madeleine, huit ans, croit encore que l'école est un des endroits les plus sûrs qui soient. Mike, douze ans, est le héros de sa petite sœur. Mais la vie à la base militaire ne tardera pas à faire craquer ce vernis. Un meurtre inconcevable secoue la communauté. Jack se trouve confronté à un dilemme moral insurmontable : au nom des intérêts de son pays en pleine guerre froide, doit-il protéger un criminel de guerre et laisser enfermer un innocent ? Quant à Madeleine, peut-elle mentir pour faire éclater la vérité ? La lumière ne se fera que plus tard, beaucoup plus tard, lorsque cette dernière, jeune femme brisée et indomptable, ira enfin jusqu'au fond des choses. En attendant, seuls les corbeaux ont vu le meurtre. Ann-Marie MacDonald signe ici une œuvre romanesque magistrale, puissante méditation sur la perte de l'innocence, au niveau le plus intime comme à l'échelle d'un pays tout entier. " Brillant. Un regard férocement intelligent (...) à ne pas manquer. " Washington Post. " Un roman riche et prenant. " The Bookseller. " Remarquable. (...) Un conte captivant, dérangeant. " Chicago Tribune.

Goodnight Desdemona (Good Morning Juliet) is an exuberant comedy and feminist revisioning of Shakespeare’s Othello and Romeo and Juliet. It takes us from a dusty office in Canada’s Queen’s University, into the fraught and furious worlds of two of Shakespeare’s best-known tragedies, and turns them upside-down. Constance Ledbelly is the beleaguered “spinster” academic, and unlikely heroine who embarks on a quest for Shakespearean origins and, ultimately, her own identity. When she deciphers an ancient and neglected manuscript, Constance is propelled through a very modern rabbit hole and lands smack in the middle of the tragic turning points of each play in turn. Her attempts to save first Desdemona, then Juliet, from their harrowing fates, result in a wild unpredictable ride through comedy and near-tragedy, as mild-mannered Constance learns to love, sword-fight, dance Renaissance-style, and master a series of disguises… Goodnight Desdemona (Good Morning Juliet) a gender-bendy, big-hearted and crazily intelligent romp, where irony and anger sing in perfect harmony with innocence and poignancy.

In this exuberant comedy, MacDonald asks, What if Desdemona and Juliet were allowed to live? Constance Ledbelly, a tweedy academic, has ghostwritten the papers of her mentor for years, when suddenly he announces he's marrying a rival. Escaping into her research, Constance decodes the Gustav Manuscript, and discovers a pair of comedies that she believes are the source for Shakespeare's Othello and Romeo and Juliet. Transported into the world of her theory, she comes face-to-face with Desdemona and Juliet and discovers that, far from shrinking violets, they are hellions full of surprises. What follows is a riotous retelling of theatrical legend that brings Constance out of her gloom and straight into a new and confident self.

A sprawling saga about five generations of a family from Cape Breton, Nova Scotia, Fall on Your Knees is the impressive first fiction from Canadian playwright and actor Ann-Marie MacDonald. This epic tale of family history, family secrets, and music centers on four sisters and their relationships with each other and with their father. Set in the coal-mining communities of Nova Scotia in the early part of this century, the story also shifts to the battlefields of World War I and the jazz scene of New York City in the 1920s.