Marie Sellier Livres

RO80157069. C comme Cézanne. 1995. In-12. Cartonné. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 59 pages. Nombreuses reproductions en noir et blanc et en couleurs, dans le texte et hors-texte.. . . A l'italienne. Classification Dewey : 750-La peinture et les peintres

Vovô Dembo é um africano muito alto e muito sábio. Para o pequeno Chaka, ele tem o tamanho do baobá - árvore que alcança vinte metros de altura - e a sabedoria dos marabus - sacerdotes venerados pela religião muçulmana. É vovô Dembo quem conta ao neto Chaka a história da África, da sua África: a infância pobre numa família de catorze irmãos, o pastoreio das cabras, as pescarias no rio barrento, as festas, as comidas, as plantações de amendoim e batata-doce. Com pinceladas sensíveis, um verbo saboroso e poético, vovô Dembo fala dos espíritos que se escondem na selva entre os macacos e os elefantes, narra a chegada da chuva, quando os pingos enormes batem na terra esturricada e a tempestade é um bálsamo que revigora a vida. Chaka logo percebe que vovô Dembo, com sua imaginação entre o plausível e o mágico, faz um retrato em que se sobrepõem duas histórias, a dele mesmo e a do continente mais antigo e mais pobre do planeta. A África, meu pequeno Chaka.... reata com a tradição africana do contador de histórias, figura central de um mundo sem livros e sem escolas, e a quem cabe transmitir a saga da família, da aldeia, de seu povo, fundindo a memória pessoal com a coletiva. As delicadas ilustrações de Marion Lesage alternam-se com a reprodução de objetos tradicionais da África, instrumentos de música e estatuetas, e o texto de Marie Sellier transmite um olhar inteligente e mágico sobre o continente africano.

"Qui es-tu ? La voix est ferme. La main qui s'est posée sur son épaule plus ferme encore. Caterina s'attend au pire, elle ne devrait pas se trouver ici... Elle se retourne lentement. L'homme qui lui fait face a les yeux clairs, le visage strié de fines ridules, une abondante barbe blanche. Le grand Léonard de Vinci !"

Pour Pierre, c'est le jour le plus triste de sa vie car son grand-père, Paplune, vient de mourir. Mais où est-il désormais ? Tout ce qu'il sait, c'est qu'il est toujours dans sa tête et il n'arrête pas d'y penser !

Men in animal skins trudging-through the desert, a magpie in a silent snowy landscape, Venus in a cloud of pink cupids, a dancing girl in a tutu, a mother tenderly gazing at her baby, three children behind a hand of bananas, to cat with long, long legs, rolling apples, a smooth polar bear, dragonfly Jewelry.We Have over 160 works CHOSEN to guide you on your trip Through the Orsay Museum. Keep your eyes open, and drink your fill of light, color and dreams . For child.and curious adult from 10 years.

For ages 5 + The most beautiful works of art from the Orsay Museum are presented with humour and tenderness, a short story accompanying each piece.

Children's book describing selected works of art from the Louvre complete with illustrations. This picture book will take children on a fabulous ride into the masterpieces at the Louvre Museum. From ancient Egypt to the 18th century, the works of art presented each have an amazing story to tell.

This is both a book on art and a psychiatric manual and at the same time it is neither. It takes a radically different approach by setting out to describe subjective those of works of art, those of patients and those of the reader. The aim is to achieve an understanding of the psychological world of bipolar patients through a subtle interplay of connections between the subjectivity of those three protagonists. Subjectivity also prevailed in the authors' which clinical aspects of bipolarity to present, and which works of art to select. So far from setting out to be exhaustive and definitive, the book proposes a number of openings. Doctors will view these openings differently depending on their own sensitivity and practice. But the book is not just for doctors; it is aimed at a wider readership. It is important for the general public to be aware that subjective movements in the psychological life of bipolar patients have their own specific identity, which is as much a subject worthy of attention as it is a source of suffering. Sensitive reading of this book will also guide bipolar patients and their families to a better understanding of the nature of the condition, and therefore to play a fuller part in the treatment offered to them.