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Glyn Maxwell

    1 janvier 1962

    Glyn Maxwell est un artiste littéraire polyvalent dont l'œuvre couvre la poésie, le théâtre, les romans, les livrets d'opéra et les scénarios. Sa poésie, souvent saluée et reconnue comme l'une des voix clés de sa génération, explore des émotions et des relations humaines complexes avec un usage pénétrant du langage. Dans son écriture dramatique, Maxwell a démontré un talent pour créer des pièces de théâtre captivantes mises en scène dans des théâtres de premier plan à travers le monde. Ses livrets d'opéra, fréquemment inspirés d'œuvres classiques et de thèmes contemporains, allient des textes puissants à une expression musicale, démontrant une profonde compréhension de la forme dramatique à travers les genres.

    Girl Who Was Going to Die
    Plays one
    • Plays one

      • 204pages
      • 8 heures de lecture

      Includes the plays The Lifeblood, Wolfpit, The Only Girl in the WorldA history, a legend, a rumour - three stories drawn from the shadows of England. The Lifeblood depicts the last days of Mary Queen of Scots, as four men weave about her a web of love and hatred; Wolfpit brings alive the extraordinary chronicle of the Green Children of Suffolk who appeared inexplicably one summer morning; and love comes to Mary Kelly, The Only Girl in the World otherwise known as the last victim of Jack the Ripper..

      Plays one
      4,0
    • Girl Who Was Going to Die

      • 368pages
      • 13 heures de lecture

      Britain is reeling from reports of a terrorist bomb on a film set that has killed a hundred people and, possibly, the brightest star in Hollywood, Thomas Bayne. Caught up in the middle of the national mourning is Susan Mantle - a rather hopeless London tour-guide - who is seen crying on a park bench and is taken up by the media as a symbol of the blitz spirit, appearing on the rolling news with the headline 'beautiful but crying'. She is crying, though, for other reasons: she's just been told by a clairvoyant that she is about to die. Reason and the real world are quickly relinquished as Susan is swept into a media maelstrom, becoming the baffled and increasingly unwilling star of reality TV. Buffeted by the demands of her new public, and her private terrors about her own mortality, Susan starts to lose control of everything.

      Girl Who Was Going to Die
      3,2