Ora décide de quitter Jérusalem et de partir effectuer une randonnée à travers le pays pendant 28 jours. Durant cette période, son fils, Ofer s'est porté volontaire pour une mission dans une ville palestinienne. Ora pense que si elle n'est pas présente pour apprendre la nouvelle de sa mort, son fils vivra. Elle part en compagnie de son amour de jeunesse, Avram.--[Memento]
Exploring themes of identity and culture, this collection features insightful essays that delve into Israel's unique literary landscape and the intricacies of language. The author, a revered figure in Israeli literature, shares personal reflections and analyses that illuminate the complexities of life in Israel, making it a thought-provoking read for anyone interested in the intersection of language and national identity.
Translated from the original Hebrew by Haim Watzman, Sleeping on a Wire continues author David Grossman's examination of Middle East tensions in Israel and the West Bank. Here, Grossman tells the stories of Palestinians caught up in the conflicts, and has them reveal their thoughts on their lives, the lives of those around them, and their attitudes toward Israel and the different players in the political scene.
A brilliant and passionate firsthand report on the Palistinian dilemma by Israel's leading young writer, here is one of the most controversial and importan t works of political reportage in recent history.
David Grossman's masterly fusing of vision, thought, and emotion make See Love a luminously imaginative and profoundly affecting work.In this powerful novel by one of Israel's most prominent writers, Momik, the only child of Holocaust survivors, grows up in the shadow of his parents' history. Determined to exorcise the Nazi "beast" from their shattered lives and prepare for a second holocaust he knows is coming, Momik increasingly shields himself from all feeling and attachment. But through the stories his great-uncle tells him―the same stories he told the commandant of a Nazi concentration camp―Momik, too, becomes "infected with humanity.""A dazzling work of imagination."--Michiko Kakutani, The New York Times
David Grossman's classic novels See Under: Love and The Book of Intimate Grammar, earned him international acclaim as an author of childhood. The Zig Zag Kid is written in a more optimistic vein, and recounts thirteen-year-old Nonny Feuerberg's picturesque journey into adulthood. As Nonny's Bar Mitzvah year trip turns into an amazing adventure, he not only finds himself befriending a notorious criminal, and a great actress, but confronts the great mystery of his own identity.With wit and humor, The Zig Zag Kid is a novel that explores the most fundamental questions of good and evil and speaks directly to both adults and teenagers.
On a kibbutz in Israel in 2008, Gili is celebrating the ninetieth birthday of her grandmother Vera, the adored matriarch of a sprawling and tight-knit family. But festivities are interrupted by the arrival of Nina: the iron-willed daughter who rejected Vera's care; and the absent mother who abandoned Gili when she was still a baby. Nina's return to the family after years of silence precipitates an epic journey from Israel to the desolate island of Goli Otok, formerly part of Yugoslavia. It was here, five decades earlier, that Vera was held and tortured as a political prisoner. And it is here that the three women will finally come to terms with the terrible moral dilemma that Vera faced, and that permanently altered the course of their lives. More Than I Love My Life is a sweeping story about the power of love and loving with courage. A novel driven by faith in humanity even in our darkest moments, it asks us to confront our deepest held beliefs about a woman's duty to herself and to her children.
In Falling Out of Time, David Grossman has created a genre-defying drama - part play, part prose, pure poetry - to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son.The man - called simply the 'Walking Man' - paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Maths Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching deathâe(tm)s hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossmanâe(tm)s storytelling âe" a realm where loss is not merely an absence, but a life force of its own.