The exploration focuses on the dynamic evolution of British drama between the 1790s and 1830s, highlighting the significant role of the industrial provinces as a backdrop for these changes. Frederick Burwick delves into how regional influences shaped theatrical practices and contributed to the broader cultural landscape of the time, emphasizing the interplay between industrialization and the dramatic arts.
This comprehensive survey explores Samuel Taylor Coleridge's diverse contributions as a poet, literary critic, philosopher, and commentator on religion and politics. Featuring 37 original essays by an international team of experts, the book offers advanced scholarship that delves into the various aspects of Coleridge's work, highlighting his influence and significance across multiple disciplines.
The exploration of temporal modalities in Romantic Theatre reveals significant shifts driven by both internal and external factors. Playwrights broke free from the constraints of "Unity of Time," while societal changes due to the industrial revolution intensified the importance of time in daily life. This monograph highlights how Romantic theatre mirrored these changes, emphasizing time's role in drama and encouraging a fresh examination of its function and experimentation during the early nineteenth century.
Focusing on the Romantic period, this book explores the transformative shifts in drama and their impact on theatre performance, acting styles, and audience engagement. It delves into how these radical changes redefined the theatrical landscape, influencing both the creators and spectators of the time.
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Frontmatter -- Contents -- Prelude in the Academy -- I. Goethe’s Farbenlehre: The Newtonian Controversy -- II. Goethe’s Entoptische Farben: The Problem of Polarity -- III. Goethe’s Homunculus: The Mediation of Light -- IV. Novalis: Transcendental Physics and the Sidereal Man -- V. Achim von Arnim: The Galvanic Eye -- VI. Wordsworth: An Auxiliar Light -- VIII. Coleridge and Jean Paul: The Look of Limbo -- VIII. Coleridge and Schlegel: The Glittering Eye -- IX. Shelley: The “Traces” of Faust -- Bibliography -- Index -- 309-310