Broadening the field of star studies to include animation, this pioneering book makes the case that iconic cartoon characters, such as Mickey Mouse, are legitimate cinematic stars, just as popular human actors are.
The specter of the marauding serial killer has become a relatively common feature on the American landscape. Reactions to these modern-day monsters range from revulsion to morbid fascination-fascination that is either fed by, or a product of, the saturation coverage provided by print and broadcast media, along with a dizzying array of books, documentary films, websites, and "Movies of the Week". The prevalence in Western culture of images of serial killers (and mass murderers) has created in the public mind a consensus view of what a serial killer is. Most people are aware, to some degree, of the classic serial killer 'profile.' But what if there is a much different 'profile'-one that has not received much media attention? In Programmed to Kill, acclaimed and always controversial author David McGowan takes a fresh look at the lives of many of America's most notorious accused murderers, focusing on the largely hidden patterns that suggest that there may be more to the average serial killer story than meets the eye. Think you know everything there is to know about serial killers? Or is it possible that sometimes what everyone 'knows' to be true isn't really true at all?
Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with other singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills.But there was a dark side to that scene as well.Many didn't make it out alive, and many deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel—the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon's colorful characters—rock stars, hippies, murderers and politicos—happily coexisted alongside a covert military installation.Weird Scenes Inside the Canyon is the very strange, but nevertheless true story of the dark underbelly of a hippie utopia.
This title focuses on some of the major developments in the history of the African-Guyanese from the time of their arrival in what were then the Dutch colonies of Essequibo and Berbice in the first half of the 17th century, to the present day.
Packed with previously unpublished photographs, this book celebrates the thirty years of Shuttle Buses.
An eye-opening and prophetic look at the true state of American politics and culture today. Is the U.S. a beacon of progress? That's how the mainstream media want you to see it. But in Myth America, visionary researcher David McGowan presents an index of disturbing facts and ominous trends that illustrate the deep roots of America's systems of oppression. From mandatory minimum sentencing laws to more liberal search-and-seizure rules, from Three Strikes You're Out to congressional legislation for a national ID card, McGowan shows how the noose around democracy has been tightening every day for decades--if it ever existed in the U.S. at all. David McGowan is the author of the bestselling Weird Scenes Inside the Canyon: Laurel Canyon, Covert Ops & The Dark Heart of the Hippie Dream. Myth America was his first book, originally published in 2000 under the title Derailing Democracy.
"This carefully-researched book offers a dynamic and expansive Deweyan vision for the arts and education. This (re)vision acknowledges the influence on Dewey's aesthetics of art collector and educator Albert Barnes, while also exploring the various ways Dewey's writings on the arts, in moving beyond Barnes' "scientific aesthetic method," were an important resource for many innovative twentieth-century American artists, art movements, and arts-related educational institutions. Neither Barnes' influence on Dewey nor the features of Dewey's naturalistic aesthetics that made his Art as Experience a favorite text of many artists and arts practitioners have been fully and adequately acknowledged in existing literature on Dewey's thinking about the arts and education. This book effectively remedies that situation"-- Provided by publisher