Book of Mutter
- 216pages
- 8 heures de lecture
A fragmented, lyrical essay on memory, identity, mourning, and the mother.
Kate Zambreno est une auteure dont les romans explorent des psychologies complexes et des pressions sociétales, abordant souvent les thèmes de l'identité et de la quête artistique. Sa prose est reconnue pour sa nature introspective et sa dextérité stylistique, entraînant les lecteurs dans de profondes méditations sur la nature de la création et de l'existence. Zambreno manifeste un intérêt indéfectible pour la manière dont les femmes perçoivent et sont perçues, examinant ces dynamiques avec une intelligence vive. Son écriture, qui navigue entre fiction et essai, offre une expérience de lecture unique et stimulante.






A fragmented, lyrical essay on memory, identity, mourning, and the mother.
To Write as if Already Dead circles around Kate Zambreno's failed attempts to write a study of Herve Guibert's To the Friend Who Did Not Save My Life. Zambreno, who has been pushing the boundaries of literary form for a decade, investigates Guibert's methods by adopting them, offering a keen sense of the energy and confessional force of his work.
On the ongoing project of writing about grief; Zambreno's addendum to Book of Mutter.
A manifesto reclaiming the wives and mistresses of literary modernism that inspired a generation of writers and scholars, reissued with a new introduction after more than a decade.
Tone is a collaborative study of literary tone, exploring its implications for community, politics, and ecology.
In the first half of Kate Zambreno's astoundingly original collection, the narrator regales us with incisive and witty swatches from a life lived inside a brilliant mind, meditating on aging and vanity, fame and failure, writing and writers, along with portraits of everyone from Susan Sontag to Amal Clooney, Maurice Blanchot to Louise Brooks. The series of essays that follow, on figures central to Zambreno's thinking, including Kathy Acker, David Wojnarowicz, and Barbara Loden, are manifestoes about art, that ingeniously intersect and chime with the stories that came before them
The haunting debut novel that put Kate Zambreno on the map, O Fallen Angel, is a provocative, voice-driven story of a family in crisis—and, more broadly, the crisis of the American family—now repackaged and with a new introduction by Lidia Yuknavitch. Inspired by Francis Bacon's Three Studies for Figures at the Base of a Crucifixion, Kate Zambreno's brilliant novel is a triptych of modern-day America set in a banal Midwestern landscape, told from three distinct, unforgettable points of view. There is "Mommy," a portrait of housewife psychosis, fenced in by her own small mind. There is "Maggie," Mommy's unfortunate daughter whom she infects with fairytales. Then there is the mysterious martyr-figure Malachi, a Cassandra in army fatigues, the Septimus Smith to Mommy's Mrs. Dalloway, who stands at the foot of the highway holding signs of fervent prophecy, gaping at the bottomless abyss of the human condition, while SUVs scream past. Deeply poignant, sometimes hilarious, and other times horrifying, O Fallen Angel is satire at its best.
Receiving recognition as a highly anticipated release, this book has garnered attention from notable publications like Entertainment Weekly and Refinery29. It promises to deliver a compelling narrative that captivates readers, offering unique themes and engaging characters that resonate with contemporary issues. The buzz surrounding its release suggests a significant impact within the literary community, making it a must-read for those seeking fresh and thought-provoking content.
This book was originally published in 2011 by Emergency Press--T.p. verso.