Kate Zambreno Livres

A fragmented, lyrical essay on memory, identity, mourning, and the mother.

To Write as if Already Dead circles around Kate Zambreno's failed attempts to write a study of Herve Guibert's To the Friend Who Did Not Save My Life. Zambreno, who has been pushing the boundaries of literary form for a decade, investigates Guibert's methods by adopting them, offering a keen sense of the energy and confessional force of his work.

On the ongoing project of writing about grief; Zambreno's addendum to Book of Mutter.

A manifesto reclaiming the wives and mistresses of literary modernism that inspired a generation of writers and scholars, reissued with a new introduction after more than a decade.

In the first half of Kate Zambreno's astoundingly original collection, the narrator regales us with incisive and witty swatches from a life lived inside a brilliant mind, meditating on aging and vanity, fame and failure, writing and writers, along with portraits of everyone from Susan Sontag to Amal Clooney, Maurice Blanchot to Louise Brooks. The series of essays that follow, on figures central to Zambreno's thinking, including Kathy Acker, David Wojnarowicz, and Barbara Loden, are manifestoes about art, that ingeniously intersect and chime with the stories that came before them

The haunting debut novel that put Kate Zambreno on the map, O Fallen Angel, is a provocative, voice-driven story of a family in crisis—and, more broadly, the crisis of the American family—now repackaged and with a new introduction by Lidia Yuknavitch. Inspired by Francis Bacon's Three Studies for Figures at the Base of a Crucifixion, Kate Zambreno's brilliant novel is a triptych of modern-day America set in a banal Midwestern landscape, told from three distinct, unforgettable points of view. There is "Mommy," a portrait of housewife psychosis, fenced in by her own small mind. There is "Maggie," Mommy's unfortunate daughter whom she infects with fairytales. Then there is the mysterious martyr-figure Malachi, a Cassandra in army fatigues, the Septimus Smith to Mommy's Mrs. Dalloway, who stands at the foot of the highway holding signs of fervent prophecy, gaping at the bottomless abyss of the human condition, while SUVs scream past. Deeply poignant, sometimes hilarious, and other times horrifying, O Fallen Angel is satire at its best.

Receiving recognition as a highly anticipated release, this book has garnered attention from notable publications like Entertainment Weekly and Refinery29. It promises to deliver a compelling narrative that captivates readers, offering unique themes and engaging characters that resonate with contemporary issues. The buzz surrounding its release suggests a significant impact within the literary community, making it a must-read for those seeking fresh and thought-provoking content.

This book was originally published in 2011 by Emergency Press--T.p. verso.

“Kate Zambreno has invented a new form. It is a kind of absolute present, real life captured in closeup.“ —Annie Ernaux, winner of the Nobel Prize in Literature From “one of our most formally ambitious writers” (Esquire), a moving account of caretaking in a time of uncertainty and loss In The Light Room, Zambreno offers her most profound and affecting work yet: a candid chronicle of life as a mother of two young daughters in a moment of profound uncertainty about public health, climate change, and the future we can expect for our children. Moving through the seasons, returning often to parks and green spaces, Zambreno captures the isolation and exhaustion of being home with a baby and a small child, but also small and transcendent moments of beauty and joy. Inspired by writers and artists ranging from Natalia Ginzburg to Joseph Cornell, Yūko Tsushima to Bernadette Mayer, Etel Adnan to David Wojnarowicz, The Light Room represents an impassioned appreciation of community and the commons, and an ecstatic engagement with the living world. How will our memories, and our children’s, be affected by this time of profound disconnection? What does it mean to bring new life, and new work, into this moment of precarity and crisis? In The Light Room, Kate Zambreno offers a vision of how to live in ways that move away from disenchantment, and toward light and possibility.