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Iain Quinn

    The Organist in Victorian Literature
    Music and Religion in the Writings of Ian McEwan
    Turbine Excursion Steamers: A History
    Waverley Steam Navigation Company
    • Waverley Steam Navigation Company

      • 192pages
      • 7 heures de lecture

      Delving into the rich history of the Waverley Steam Navigation Company, this book uncovers the evolution of maritime travel and the impact of steam-powered vessels on transportation. It highlights key events, technological advancements, and the company's significance in shaping coastal tourism and trade. Through detailed accounts and historical context, readers gain insight into the challenges faced and the legacy left by this pioneering company in the world of steam navigation.

      Waverley Steam Navigation Company
    • Turbine Excursion Steamers: A History

      • 288pages
      • 11 heures de lecture

      Focusing on the history of turbine pleasure steamers, this book explores their role in short sea and coastal services, particularly on the Clyde, Irish Sea, and Cross Channel routes. It delves into the evolution of these vessels, highlighting their significance in maritime travel and leisure during their operational peak. Through detailed accounts and historical insights, readers will gain an understanding of the impact of turbine technology on coastal transportation and the cultural importance of these steamers in the regions they served.

      Turbine Excursion Steamers: A History
    • The book delves into Ian McEwan's unique talent for capturing emotions that resonate with musicians, highlighting the significance of music in conveying his worldview. It also explores McEwan's insights on the role of religion in society, offering a nuanced understanding of how these themes interconnect within his literary works.

      Music and Religion in the Writings of Ian McEwan
    • The Organist in Victorian Literature

      • 118pages
      • 5 heures de lecture

      The book examines the perception of the organist as the most influential musical figure in Victorian society through the writings of Thomas Hardy and Robert Browning. This will be the first book in the burgeoning area of research into the relationship of music and literature that examines the societal perceptions of a figure central to civic life in Victorian England. This book is deliberately interdisciplinary and will be of special interest to literature scholars and students of Victorian studies, culture, society, religion, gender studies, and music. However, the nature of the text does not require specialist knowledge of music.

      The Organist in Victorian Literature