Dario Martinelli Livres

The book aims to introduce a research concept called "Numanities", as one possible attempt to overcome the current scientific, social and institutional crisis of the humanities.Such crisis involves their impact on, and role within, society;

Focusing on the study of animal communication, this book systematically explores essential and complex terms within zoosemiotics. It aims to establish a comprehensive framework for understanding the concepts that define this expanding field, making it a crucial resource for researchers and enthusiasts alike.

Focusing on audiovisual texts, this book introduces a novel analytical model that appeals to both students and advanced scholars. Through an engaging writing style, the author provides accessible insights into the field, complete with analytical tools, historical context, and a variety of case studies to enhance understanding and application.

Alfred Hitchcock's cinematic techniques and storytelling methods are meticulously examined, revealing his innovative approaches to suspense and psychological depth. The analysis delves into key films, exploring themes of fear, voyeurism, and identity, while highlighting Hitchcock's influence on the thriller genre. By dissecting his unique visual style and narrative structures, the book offers insights into how Hitchcock crafted unforgettable experiences that continue to resonate with audiences today.

This monograph offers a unique analysis of social protest in popular music. It presents theoretical descriptions, methodological tools, and an approach that encompasses various fields of musicology, cultural studies, semiotics, discourse analysis, media studies, and political and social sciences. The author argues that protest songs should be taken as a musical genre on their own. He points out that the general approach, when discussing these songs, has been so far that of either analyzing the lyrics or the social context. For some reason, the music itself has been often overlooked. This book attempts to fill this gap. Its central thesis is that a complete overview of these repertoires demands a thorough interaction among contextual, lyrical, and musical elements together. To accomplish this, the author develops a novel model that systemizes and investigates musical repertoires. The model is then applied to four case studies, those, too, chosen among topicsthat are little (or not at all) frequented by scholars.