Featuring over 600 cross-referenced entries, this comprehensive resource delves into the rich history of Russian and Soviet cinema. It includes detailed information on key figures such as directors, performers, and cinematographers, as well as insights into studios and production aspects. The second edition enhances the original with an updated chronology, an informative introduction, and a curated bibliography, making it an invaluable tool for scholars and enthusiasts alike.
This collection examines the major trends in the media environment of the post-Communist world, particularly focusing on Russia and the post-Soviet space. It encompasses traditional print and electronic media, as well as new media, spanning political, entertainment, and artistic spheres. Key questions addressed include the role of market forces in media democratization, the impact of state structures on capitalism, and the level of informational pluralism in newly independent republics. The volume explores the prospects for transparency and civil society participation in Russian and Eurasian media, as well as the extent to which post-Communist media trends align with global patterns. It considers whether there is a worldwide convergence in media formats and political messaging. While Western observers often focus on media's role during national elections, this work, featuring contributions from various scholars, seeks to delve deeper into the overarching media philosophies that define post-Soviet media systems and the identity formation they foster. Through this exploration, the collection aims to provide a comprehensive understanding of the complexities and dynamics of media in this region.
