These poems are devoid of any artificial and spurious emotion. The employment of concrete imagery in these poems is quite admirable. Instead of rhetorical style, the poet prefers the exact word. After reading these poems, it is evident that the poet’s style is quite lucid.
A beautiful compendium of famous fashion designers, their gorgeous creations and the film stars that wore them. Fashion designers have been involved in movies since the early days of cinema. The result is some of the most eye-catching and influential costumes ever committed to film, from Ralph Lauren's trend-setting masculine style for Diane Keaton in Annie Hall to Audrey Hepburn's little black Givenchy dress in Breakfast at Tiffany's. Fashion in Film celebrates the contributions of fashion designers to cinema, exploring key garments, what they mean in context of the narrative, and why they are so memorable. Illustrated with beautiful film stills, fashion images and working sketches, this book will appeal to lovers of both fashion history and cinema. "Put simply, it doesn't matter how many coffee table books you have on fashion or on film: this one is essential, and delightful, and beautiful." One & Other
Focusing on the evolution of Seamus Heaney's poetry, this study delves into the significant impact of American poets throughout his career, particularly during his time at Berkeley and Harvard. It highlights Heaney's formative education at Queen's University and features comparative readings of influential figures such as Robert Frost and Elizabeth Bishop. The analysis includes Heaney's complex views on Sylvia Plath and his selective engagement with other American writers, offering a thorough exploration of how these influences shaped his aesthetic development.
Bereits seit den ersten Tages des Films spielten Modedesigner eine wichtige Rolle im Kino. Dieses Buch fasst die einflussreichsten und legendärsten Designs aus der Historie des Films zusammen, von Ralph Laurens Trendsetter, dem maskulinen Stil für Diane Keaton als Annie Hall in »Der Stadtneurotiker« bis hin zu Audrey Hepburns kleinem Schwarzen von Hubert de Givenchy in »Frühstück bei Tiffany«. »Fashion & Film« feiert den Beitrag der Modedesigner zu großen Filmen, stellt die wichtigsten Materialien vor, untersucht ihre Bedeutung im Umfeld des Filmstoffs und erläutert, warum sie für die Ewigkeit gemacht sind. Illustriert mit wunderschönen Standbildern aus über 100 Filmen, Modefotos sowie Arbeitsskizzen ist dieses Buch eine Augenweide für alle Liebhaber von Film und Mode. Mit 50 Portfolios von: Agnès B., Azzedine Alaia, Bill Blass, Brooks Brothers, Calvin Klein, Cecil Beaton, Christian Dior, Dolce & Gabbana, Fendi, Gucci, Hardy Amies, Jean Paul Gaultier, Karl Lagerfeld, Manolo Blahnik, Marc Jacobs, Prada, Ralph Lauren, Tom Ford, Versace, Vivienne Westwood, Yves Saint Laurent u. v. a.