Maria Elena Buszek est une critique, une conservatrice et une professeure associée d'histoire de l'art. Son travail explore l'intersection du féminisme, de la sexualité et de la culture populaire, examinant comment ces éléments façonnent l'art visuel et sa réception. Par le biais de l'analyse critique et de la conservation, elle étudie comment l'art reflète et construit les attitudes sociétales envers la féminité et la sexualité. Buszek offre des perspectives profondes sur l'interaction dynamique entre l'expression artistique et son contexte culturel.
Exploring the vibrant world of Golden Age comics, this book shines a spotlight on the forgotten supergirls who captivated audiences during that era. Through stunning illustrations and engaging narratives, it uncovers their unique stories, powers, and cultural impact, celebrating the pioneering female characters who paved the way for future heroines. This nostalgic journey highlights their significance in comic history and the evolution of female representation in the genre.
Since the early 1960s, Dorothy Iannone (b. 1933, Boston; lives and works in Berlin) has explored the representation of ecstatic love—defined by her as “the union of gender, feeling and pleasure.” Her diverse oeuvre includes paintings, drawings, collages, video sculptures, objects, and publications, all infused with personal mythologies and experiences. In her late figurative paintings, which often blur into ornamental forms, she creates symbolic scenarios that celebrate a playful approach to her subjects. This visual self-empowerment has been interpreted as a contribution to the liberalization of female sexuality, though Iannone does not identify with any feminist movement. Her work, addressing controversial themes, reflects a personal understanding of self through its public presentation. This publication examines Iannone's art in the context of censorship, particularly her artist's book "The Story of Bern." In spring 1969, her works were confiscated during the "Freunde (Friends)" exhibition at Kunsthalle Bern, directed by Harald Szeemann. Iannone's response was to produce a book that articulated her perspective, reclaiming control over her work's content and form. Published in collaboration with Migros Museum for Contemporary Art, Zurich.
