Asher D. Biemann Livres

The book explores the life and work of David Aronson, an immigrant artist whose Jewish heritage and diverse influences create a unique blend of religious and secular themes in his art. It features vivid reproductions of his encaustic, pastel, charcoal, and bronze pieces, alongside his 1967 lecture "Real and Unreal: The Double Nature of Art," which sheds light on his creative philosophy. An interpretive essay by Asher Biemann contextualizes Aronson's contributions within art history and cultural discourse, appealing to both scholars and general readers.

Homeland, Exile, Imagined Homelands are features of the modern experience and relate to the cultural and historical dilemmas of loss, nostalgia, utopia, travel, longing, and are central for Jews and others. This book is an exploration into a world of boundary crossings and of desired places and alternate identities, into a world of adopted kin and invented allegiances.

Dreaming of Michelangelo is the first book-length study to explore the intellectual and cultural affinities between modern Judaism and the life and work of Michelangelo Buonarroti. It argues that Jewish intellectuals found themselves in the image of Michelangelo as an "unrequited lover" whose work expressed loneliness and a longing for humanity's response. The modern Jewish imagination thus became consciously idolatrous. Writers brought to life—literally—Michelangelo's sculptures, seeing in them their own worldly and emotional struggles. The Moses statue in particular became an archetype of Jewish liberation politics as well as a central focus of Jewish aesthetics. And such affinities extended beyond sculpture: Jewish visitors to the Sistine Chapel reinterpreted the ceiling as a manifesto of prophetic socialism, devoid of its Christian elements. According to Biemann, the phenomenon of Jewish self-recognition in Michelangelo's work offered an alternative to the failed promises of the German enlightenment. Through this unexpected discovery, he rethinks German Jewish history and its connections to Italy, the Mediterranean, and the art of the Renaissance.

This book explores the cultural and intellectual affinities between modern Judaism and the life and work of Michelangelo Buanrroti. It argues that Jewish intellectuals found themselves in the image of Michelangelo as an “unrequited lover” whose work expressed loneliness and longing for humanity's response. Turning to the uncanny, Jewish writers brought to live Michelangelo's sculptures, seeing in them their own worldly and emotional struggles. While the Moses statue often became and archetype of Jewish liberation politcs, the Sistine Chapel appeared as a manifesto of prophetic socialism, devoid of its Christian elements. Jewish self-recognition in Michelangelo's work thus offered an alternative to the failed promises of the German enlightenment.