The integration of Israel into the global economy has significantly influenced its mainstream culture, as explored through various forms of media. By analyzing Israeli film, literature, and television over the past 30 years, Ofengenden highlights the cultural transformations and shifts that have emerged in response to globalization. The book offers a critical examination of how these artistic expressions reflect and shape the evolving identity of Israeli society.
The poet Abraham Shlonsky (1900–1973) can be regarded as the main architect of Jewish Modernism and Hebrew secular culture. In his crucial contribution, Ari Ofengenden disentangles Shlonsky’s work from Zionist readings and shows how his poetics redeem experiences of radical political displacement, exile and alienation through the use of a precise, chiseled yet playfully enigmatic style. Writing on immigrants, refugees and urban outcasts following the traumatic events of the First World War and the Civil War in Russia, his poetry constitutes a fusion of Modernist European poetry with biblical and rabbinic sources with the influences of Georg Trakl and Rimbaud. The book situates Shlonsky’s poetry in the context of his “rebellion” against the romantic poetry of C. N. Bialik and as an active participant in the European styles of Symbolism and Expressionism. The book is indispensable for understanding Modern Hebrew and Jewish culture, and more generally as an exemplar of today's more prevalent hybridizations of tradition and modernity.
