Ed Atkins Livres

One of the most prominent artists of his generation, Ed Atkins works primarily with High Definition video and text, exploiting and subverting the conventions of moving image and literature. Focussing on the artist's use of language within his practice, A Seer Reader is both the title of the book and of the extraordinary new text written by Atkins especially for the publication.00Focussing on the artist’s use of language within his practice, A Seer Reader is both the title of the book and of the new text written by Atkins which also includes his distinctive drawings. In addition, it features a foreword by Serpentine Galleries directors Julia Peyton-Jones and Hans Ulrich Obrist as well as an essay by writer, curator and academic Mike Sperlinger, which explores and contextualises Atkins’ writing.00Exhibition: Serpentine Gallery, London, U.K. (11.06-25.08.2014).

The book examines the resistance of civil society groups at various levels against the Belo Monte and São Luiz do Tapajós hydroelectric projects in the Brazilian Amazon. It offers an interdisciplinary perspective, making it relevant for those studying Sustainable Development, Environmental Justice, and Development Studies. Through its exploration of activism and environmental issues, it highlights the complexities and challenges faced by communities in the context of large-scale infrastructure projects.

Originally published in 1934, this book contains the first volume of Atkins' 'sketch' of the development of ancient literary criticism.

Originally published in 1951, this volume covers the transition period between the years of Renaissance influence and the dawn of 19th Century Romanticism. The book analyses the theories and judgments of various critics and their bearing on literary appreciation.

Anlässlich des 10-jährigen Jubiläums der JULIA STOSCHEK COLLECTION konzipiert der britische Künstler Ed Atkins die Ausstellung GENERATION LOSS. Der Begriff bezeichnet den Prozess der Qualitätsverschlechterung von Daten insbesondere infolge sich verändernder Technologien. Dieser Verlust von Qualität manifestiert sich jedoch auch im ideologischen Sinne, im gesellschaftlichen Wandel von einer Generation zur nächsten. Der Katalog greift diese Analogien auf und nimmt sich der Frage an, wie sich die Rezeption für das Bewegtbild von den 1970er-Jahren bis heute verändert hat. Neben Video- und Filmstills enthält der Katalog historisches Material der gezeigten Werke sowie Installationsansichten der Ausstellung.