Focusing on two film adaptations of A Midsummer Night's Dream, the paper explores Adrian Noble's 1996 TV production and Michael Hoffman's 1998 Hollywood film. Each adaptation presents distinct contemporary interpretations, prompting a reflection on Shakespeare's relevance today and the implications of engaging with his work. The analysis encourages viewers to consider not only the adaptations themselves but also their own perspectives and cultural contexts in relation to the timeless themes of the play.
