Michael Darling Livres

Sadia has been betrayed. Get in. Get the data threads. Get out. It was a standard job. But when Sadia arrives, she finds her contact dead and the only ones who could be responsible are from her own faction. Unable to trust anyone, she goes looking for answers. When she witnesses another unjust death, something inside her awakens. A power takes control of her body and in front of millions of witnesses, Sadia brings the dead man back to life. Suddenly, she’s the most sought after woman in Novus City. And while some factions want to make her a martyr, others want to dissect her. Or worse. Hunted by every faction, every corporation, and every authority, Sadia flees. If she can escape the city, she may survive long enough to learn the secrets of her past. If she fails, instead of giving life back, her power will be used to take it away. She will become the instrument of annihilation, and no one will be left alive to remember Hollowfall.

Isa Genzken is one of the most significant female artists of the past 30 years, yet her extensive contributions across various media—sculptures, paintings, photographs, collages, drawings, artist's books, films, installations, and public works—remain largely underrecognized in the United States. This publication coincides with the first comprehensive retrospective of her diverse work, covering 40 years and serving as the most complete English monograph on her. Genzken has been a key figure in the art world since her mid-1970s exhibitions, inspiring a new generation of artists with her innovative approach. The last decade has been particularly fruitful for her, as she has redefined assemblage for contemporary art. The catalogue features essays that trace her artistic evolution from 1973 to the present, along with an extensive plate section that chronologically outlines her major works and exhibitions. Born in Germany in 1948, Genzken gained early acclaim for her geometric wood sculptures while studying at Dusseldorf's Kunstakademie. Her work has since evolved to include sculptures in various materials, influenced by Minimalism yet rich in narrative. From the 1990s onward, she has produced increasingly intricate sculptural installations, alongside paintings that explore surface and light.